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Showing posts with label Mancherial. Show all posts
Showing posts with label Mancherial. Show all posts

Chennur Silk Sarees

Chennur silk sarees shine brightly with their elegance and rich history. Hailing from Chennur, a small village in Nirmal District, Telangana State, India. These sarees are a representation of a beautiful and ancient craft. Let’s explore the story of Chennur silk sarees, their unique features, and why they continue to attract fashion lovers, especially the younger generation.

The Kalamkari Hand Painted Chennur Silk Saree is a masterpiece of Indian textile artistry. Crafted from exquisite Chennur silk, this saree features intricate hand-painted Kalamkari motifs that tell captivating stories of tradition and culture. The vibrant colors and detailed designs make it a visual delight, showcasing the skill of skilled artisans.

Chennur is famous for its silk weaving tradition. This craft has been passed down through generations, with families perfecting the art of making stunning silk sarees. The village is close to Tussar and Mulberry silk fields, which provide the high-quality silk threads used in these sarees. This connection to nature and tradition is a key part of Chennur silk’s story.

The tradition of Chennur silk has roots that go back to the prosperous Golconda Sultanate in Hyderabad during the Middle Ages. The Mughals, who supported this craft, referred to the artisans as "qualamkars," a term that eventually evolved into "kalamkari." This historical connection highlights the rich heritage behind Chennur silk.

These sarees are known for their intricate designs. Skilled weavers use traditional techniques to create beautiful patterns. Both handlooms and modern tools are used to achieve these designs.

Chennur silk sarees are versatile and elegant. They can be worn with elaborate gold designs or kept simple, depending on the occasion. Their graceful drape makes them suitable for weddings, festivals, and other special events.

Recently, younger generations have rediscovered Chennur silk sarees. 

1. Cultural Pride: Young people appreciate the cultural connection that Chennur silk sarees provide. They are more than just fashion; they are a link to heritage and tradition.

2. Sustainable Choice: Chennur silk sarees are made using eco-friendly methods, making them a great option for those interested in sustainable fashion.

3. Unique Style: The exclusive designs and luxurious fabric make Chennur silk sarees stand out from mass-produced clothes. They offer a unique and timeless style.

4. Flexibility: These sarees can be styled in many ways, allowing young people to mix traditional and modern looks for different events.

A basic seed multiplication and training centre belonging to Central Silk Board (CSB), in Chennur stood in the top in the country by registering production of 3.20 lakh tasar silkworm eggs in the last five years, bringing recognition to Telangana.

Tussar silk is one of the most sought-after fibres in the world owing to its rich texture and natural colour, it is also one of the rarest forms of natural fibre.

Cocoons of Tasar, a variety of silk, contain many insects that are processed to produce exquisite silk thread used in manufacturing saris and other clothing. The cocoons are traditionally grown by the tribals by camping in the forests as means of livelihood for many decades. They are cultivated on leaves of Terminalia Arjuna (Tellla Maddi) and Yeru Maddi trees spread in 2,100 hectares in Chennur area of Mancherial and 1,000 hectares of forests in Kumram Bheem Asifabad district.

More than 800 farmers in Vemanpelli, Kotapalli, Kannepalli and Nennal mandals of Mancherial district and Bejjur and Koutala mandals in Kumurambheem Asifabad district are cultivating cocoons in 3,100 hectares of land. Traders from Jharkhand, Chhattisgarh and Odisha come to buy the cocoons sold in an open auction in Chennur every year.


https://telanganatoday.com/silkworm-egg-production-csbs-bsm-pc-chennur-bags-award
https://thriyasilks.com/blogs/the-saree-journal/discovering-the-charm-of-chennur-silk-sarees

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Yamanapalli or Vemanpalli Dinosaur Fossil

Yamanapalli Dinosaur Fossil of Kotasaurus Yamanpalliensis, 16-foot-high (over 5 metres in height) and 14 metres in length from Jurassic age, dating back to about 160 million years was found during an excavation by the Geological Survey of India (GSI) in Yamanapalli region of Mancherial District, Telangana State, India.

Fossils of dinosaur bone fragments, tortoise and animal foot prints also found at this site in Yamanapalli, also known as Vemanapalli, is located in Godavari Pranhita valley of Mancherial district in Telangana. 

The fossils have been found in an eight-km radius of Pranhita river valley.

A composite skeleton of a dinosaur – Kotasaurus yamanpalliensis Yadagiri (named after Yamanapalli village and scientist Yadagiri) – was installed at the Birla Science Centre, Hyderabad. An articulated skeleton of a Rhynchosaur with the skull and other bone elements that was discovered in the Triassic rocks of the P-G Valley was also put up at the museum

Negligent Telangana government has no plans for a fossil park
While a fossil eco-park is being developed with fossils of trees, fish, leaves and animals from the Permian, Triassic and Jurassic ages in Sironcha, Maharashtra, Telangana state forest department has neglected the Kataram-Mahadevpur-Yamanapalli site despite a number of fossils found in the Pranahita-Godavari valley of the same area. Scientists from the Geological Survey of India had earlier excavated fossils of dinosaurs and other animals and plants, and had placed them in their museum at GSI Southern Region headquarters at Bandlaguda, and another dinosaur fossil at the Birla Science Centre, both in Hyderabad.

Despite the Pranahita Godavari Valley having a huge potential, no further excavation work has been taken. A composite skeleton of a dinosaur – Kotasaurus yamanpalliensis Yadagiri (named after Yamanapalli village and scientist Yadagiri) – was installed at the Birla Science Centre, Hyderabad. An articulated skeleton of a Rhynchosaur with the skull and other bone elements that was discovered in the Triassic rocks of the P-G Valley was also put up at the museum.

According to scientists, apart from dinosaurs, fossils of other reptiles, fish and micromammals were available at the site. “Plant fossils and charaphytes are also known to be found from the Kota Formation. Fieldwork was carried out in Jakkepalli, Lingala and Metpalli areas of Adilabad,” said a scientist. The fossil of a dinosaur – Barapasaurus tagorii – has been discovered by scientists of ISI, Kolkata, from the site near Sironcha on the eastern side of the Pranahita.

Paleo park
Fossils were exposed due to floods in the recent past. The tree fossils were of coniferous species going by the outer layer of the bark. “The tree fossils are darkening/blackening, possibly due to some fungal or biotic attack or exposure to the elements. The dinosaurs eggs were found in the area and partially buried in loose sand and mud, suggesting that they were washed up. The flooding that exposed the fossils is the likely reason why the dinosaur eggs had washed away from their paleo nests. Further investigations with expert digging would provide a wealth of information regarding the paleobotany and paleozoology. A portion of the area should be turned into a paleo park where the finds can be displayed to the people.





https://www.deccanchronicle.com/nation/current-affairs/281016/negligent-telangana-has-no-plans-for-a-fossil-park.html

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Gandhari Khilla or Fort and Maisamma jatara

Gandhari Khilla or Fort is located in Gandhari khilla is a hill fort located near Bokkalagutta, in Mandamarri Mandal in Mancherial district, Telangana State, India is a geological wonder to see: its sky-looking rock formations, deep gorges and narrow valleys inside the hillocks make the visitor filled with the thrilling feeling of deep sigh. The visitor will be greeted by a small stream of water running through the hills and hill-bounded Medi Cheruvu (tank).

There are three main entrances to the fort, which are carved out of stone. The fort contains idols of Kala Bhairava Swamy, Lord Siva, Lord Ganesh and Hanuman. The way to the fort atop the hill was built in such a way that horses and elephants can trek the hill. There’s an eight-foot tall Naga Seshu idol carved out of a single rock. The fort’s magnificent architecture, defensive constructions, bathing tanks and sculpture leaves visitors spellbound

There are three wells, which never dries up even during severe summer. There is also another well named as ‘Yenugula Bavi’ (Elephants Well). The well is designed in such a way that elephants and horses can quench thirst by reaching the well through steps. 

Gandhari Maisamma Jatra is a three days long festival, done in the temple on the fort of Gandhari for every 2 years on the third day of full moon day of Hindu month Magha (January/February)

Naikpod tribals living on the banks of the river Godavari celebrate an annual fair on the eve of Magha Pournami (February) at the unique rock-cut fort of Gandhari. Artistes of Naikpod community perform a dance show using representation of their deity Laxmi Devara during cultural programmes held to mark Maisamma Jatara on the outskirts of Bokkalagutta village in Mandamarri mandal.

Tribals from various districts including Gonds, Naikpod, Koyas, Mannes and devotees from neighbouring states i.e maharashtra, Chhattisgarh on the other bankside flock the Jatara. The jatara was suspended in 1998 due to a murder incident that took place during the celebrations.

The unique rock cut fort of Gandhari is originally an abode of history, epigraphy, architecture and culture and subsequently became a center for the Jatara in which tribals and non-tribals also take part. It has future scope of developing it into a historical, adventurous and tribal tourist site with the potential of boating in Pulimadugu pond and Medi Cheruvu Tank nearby. The State Government is supporting the Jatara with a financial aid for the past half decade.

The aboriginal tribals had darshan of the deity as they waited for serpentine queue lines since early morning. Artistes of this community presented traditional dance forms Thappetagullu and Pillanagovi, and many other art forms. They also showcased oral art forms on Saturday, enthralling audiences.

On the second day night, the elders of Rodda clan and priests revered Maisamma by performing Pedda Puja, the main event of the affair. They purified the deity and performed traditional rituals at the idol of the deity situated atop of the hillock. They drew Patnam, a unique drawing pattern to appease the Goddess.

The tribals camped under the trees and woods. They dined and celebrated along with family members and friends. They swarmed an ancient picturesque tank near the fort for taking photos. They gathered herbal plants found on the top of the hillock and at foothills for curing certain diseases. They arrived at the holy place, using different means of transit including trolleys, lorries, vans, auto-rickshaws and two-wheelers.

Devotees playing ‘kolatam’ during the cultural programmes at Gandhari Maisamma Jatara on the outskirts of Bokkalagutta village on Sunday.

The Forgotten City
Remnants of a series of steps, ponds, potsherds, etc. lie inside the Pattanam. Almost opposite to the Pattanam one has to climb a rock cliff to see rock cut wells (3) called Savatula Baavulu. Their finest finishing leaves us with wondered face. There we find Padmanayaka traditional sculptures
of Ganapati, Shivalinga, etc. which are in mutilated state now.

If we cross the Pattanam and move further we come across a deep rock cut well with steps and arrangements showing that once the Enugula Baavi (Elephant Well) served the purpose of drinking water for the people living inside the fort, with the help of Elephant-drawn-Mota (huge water lifting container). Or, the well might have been segregated for elephants. A stream coming from higher altitudes stores water in this pond-size well and flows across it running through a gorge between two hillocks.

In about a furlong distance from Enugula Baavi we find a series of caves in a hillock towards our left side. One cave by name Gonthemma Pokkalu has two sections with pre-historic petroglyphs belonging to Mesolithic and Megalithic ages. The petroglyph motifs contain hundreds of pairs of feet, bullocks, horses, nets, oblong map (Patnam in the words of Naikpods), etc.

Temples
There are two rock-cut cells / temples which must have served as shelters to Buddhist Chaityas earlier. However, Bhairava sculpture was subsequently hewn beside the cells during the reign of Padmanayakas.

Almost opposite to these cells there was another huge cell hewn into hard rock and a line drawing was chiseled probably to depict Buddha. On 3.3.2005 a news appeared that some thieves unearthed a panchaloha idol of Buddha here and were arrested. It signifies the presence of Buddhism here.

After crossing the stream we come across a series of 3 rock-cut entrances flanked by sculptures of Bhairava and Hanuman which stand as testimony to the traditional practice of Padmanayaka rulers during 14 th and 15 th centuries. The first entrance has an awful sculpture of Mondi Bhairava. En-route to other entrances one will come across an elephant sculpture with a man hanging in its trunk. The
fourth and main entrance is the most wonderful gate cut into a connecting hillock.

Its left door jamb has a sculpture called Maisamma by the devotees. Naikpod tribals worship this deity as the chief goddess and conduct traditional pujas in front of the deity by temporarily drawing her figure in rangoli colours.

Then, one has to move up left to climb a series of rock cut steps to reach its pinnacle called Nagaara Gundu – stone of drum – wherefrom, it is said, royal attendants used to beat huge royal drums to keep people alert of hours and threats of outside foes during medieval times.
The Deities

The straightway from the Maisamma Darwaja will lead us to, to our left, a series of rock cut caves wherein seers are said to have observed penance once upon a time.

The caves are followed by two structural temples that appear to have been built during 12 th to 14 th century. The carvings of the temples are attractive enough to draw the attention of the enthusiasts.

These temples are followed by the chief temple of the fort – Naga Sheshuni Gudi. Its door jambs have been decorated with Dwarapalas and Jaalis in the Antarala in an appreciable style. The 7 hooded Naga sculpture is sculpted as holding Shivalinga in its folds. The huge sculpture is one of the finest sculptures of Telangana. The temple is pinnacled by a superstructure, the shikhara.

History
As part of visiting the Jatara the visitors get amused to see the wonderful architecture of the rock fort called Gandhari Khilla. 

The history of the Khilla is shrouded in many mythical accounts. The post Satavahana kings – Kandaras –ruled from Kandarapura. Even the Pallava king Anandavarma is said to have ruled from the same Kandarapura. K. Gopalachari, a well known historian, wrote that even the celebrated kings Kakatiyas migrated from Kandarapura. The post Kakatiya feudatories of Padmanayaka kings undertook several constructions in the fort which can be seen till date. However, the Naikpods believe that Gandhari is Peddamma to their Lord Bheemanna, the second of Pandava brothers. They worship the goddess Peddamma.

The Gandhari Fort is believed to have been built by Tribal kings who ruled over this region with the assistance of Kakatiya rulers in c.1200 AD. It houses the ancient temple of Maisamma. Similarly, it has idols of Kala Bhairava Swamy, Lord Siva, Lord Ganesh and Hanuman, idols carved out on rocks and an eight-foot 10-headed Naga Seshu idol carved on a single rock. The fort, which has Gandhari Maisamma temple, was built within a dense forest, which has a rich flora and fauna including many medicinal herbs.

The name of the tank Medi cheruvu and several inscriptions of 12 th century A.D. found in north Telangana prompt historians to say that the Medi Cheruvu and the nearby village Medaram were constructed by Medaraja, a local king, in his name. An archaeological wonder here is the rock cut canal. It runs for a furlong distance from Medi Cheruvu to Jeedikota valley. There is a heap of iron slag, wastage of iron industry, with the help of which the rock fort, cave temples, sculptures and canals were created here.

An inscription from 1403 AD carved on a huge rock in the precincts of Gandhari Fort in Mancherial district deciphered by a Hyderabad-based-historian has unlocked decades long mystery as to who was ruler from the only rock-cut fort in Telangana. It also shows how some traditions continue for centuries and has unveiled how Vaishnavism was propagated in this area once, which is now famous for the Gandhari maisamma jatara. The photograph of the inscription was clicked by state department of Archaeology two decades ago but was not deciphered until now.

1403 AD : Peddiraju Anantaraju, who was a vassal during reign of king Anapota-II 
A Telugu inscription of 1403 A.D. is engraved on its right side. Its decipherment reveals that one feudatory (of Padmanayaka Kings) Sri Peddiraju Ananataraju presented the sculpture of Hanumanta along with Thirunamas to Lord Raghunayakulu. 

As far as the memory of the locality is concerned the local Naikpod tribals have been holding their traditional worships here periodically. Several of the Naikpods living in this locality bear the surname Peddi(raju) and Sri Peddulu is still the chief priest of the Gandhari Jatara. These inferences lead us to surmise that the local Nakpod tribals must be the descendants of the chieftain Peddiraju who
might have also constructed the temple of Raghunayakulu, opposite to the sculpture of Lord Hanuman and the epigraph.

Ranam Kudupu
During the Gandhari maisamma jatara tradition, known as “ranam kudupu” is still followed which dates back to the rule of Anapota-II. The tradition was a religious ritual practiced during a battle which included conducting sacrifice of animals, which is conducted even now in the jatara.

1824 AD - 1897 AD : Sardeshmukhs of Mutyampalli
1824 A.D. copper plate inscription reveals that Sardeshmukhs of Mutyampalli issued the Sannad to Sri Kova Baburao and Sri Kova Somuju conferring the post of Mokasi to collect taxes from the Gonds of Gandharla taluq and pay to the Sardeshmukhs.

The contents of the inscription revealed that it was originally issued by Venkata Mutyam Rao, Venkata Jagannatha Rao and Venkata Rama Rao (Sardeshmukhs of Mutyampalli) to Kova Baburao and Kova Somuju (ancestors of Kova Babu Rao and Kova Doulath Rao) in 1824 to collect taxes from the Gonds of Gandhari Taluq. But, the recipients were said to have lost the inscription. Upon their request, they were reissued it in 1871. It was revaluated again in 1897 in Urdu language.


https://telanganatoday.com/gandhari-a-unique-rockfort-of-telangana
Dr. Dyavanapalli Satyanarayana
https://www.thehansindia.com/hans/education-careers/focusing-on-innovation-in-healthcare-868895?infinitescroll=1
https://www.thehansindia.com/posts/index/Hans/2017-02-10/Gandhari-Maisamma-Jatara-from-today/279664#google_vignette
https://telanganatoday.com/gandhari-maisamma-jatara-ends-on-a-colorful-note-in-mancherial
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Chennur Agastheeswara Swamy Temple

Chennur Shivalyam or Agastheswara Alayam is located in chennur village, Mancherial district, Telangana State, India on the banks of Godavari river around 30 kms from Mancherial town. This temple is dedicated to lord Shiva.

Chennur Sri Agastheeswara Swamy Temple is the ancient shivalayam in this area with very old inscriptions in Dravida language. it is said that Agasthya Mahamuni himself performed puja in this temple, was visited by Srikrishna Devaraya.

Maha Shivaratri is the major annual festival, celebrated with religious gaiety and pomp in Agastheeswara Swamy Temple.

Sage Agasthya Maharshi installed this lingam and did poojas to the Shivalinga’s on his journey from Kasi to Dakshina yatra and named it Agasteshwaram. Hence it was named as Agastheeswara Temple.

Public from different communities come from far places to immerse the remnant of the dead bodies in the form of ashes, in holy river Godavari which is called Ash Visarjan and have darshan of lord shiva.

Akhanda Jyothi is continuously glowing from almost 410 years. It was first lightened by a brahmin priest named as jakkepalli Sadashivayya. He used to offer prayers regularly in this temple. Later his sons and grandsons took the responsibilities of Akhanda Jyothi and present, his fourth generations grandson name Himakar sharma took the responsibility of Akanda Jyothi

Construction
In 1289 AD during Kakatiya reign King Pratap Rudra had reconstructed this temple and then after 20 years in the time of Alauddin Khilji Senani Malik kafur had destroyed the pyramidal tower of the temple. Later Sri Krishan Deva rayalu visited this place and he again reconstructed the temple. All these had been written in front of the temple in Telugu and Kannada languages

Panchkosha Uttara Wahini
Generally Godavari flows from west to east but the Godavari river in Chennur flows towards the north for 5 Kosa (15 km) hence it is known as "Panchkosha Uttara Wahini".

Temple Timings : 6.00 AM to 8.00 PM

Godavari Pushkaralu takes place once every 12 years, when the Jupiter is in the Leo sign. The Maha Pushkaram ("Great Pushkaram") takes place once every 144 years.

The last pushkaram is from July 14 - 25, 2015. This year it marks the ‘Maha Pushkaram’, which comes once in 144 years. Astrologically, Brihaspati (Jupiter) enters Simha rasi (Leo). It is called Maha Pushkaram as it is the 12th time, the 12-year Pushkaram cycle is being held starting with Ashadha month on Chaturdashi. The next Godavari Pushkaram is in 2027 and Maha Pushkaram will be celebrated in 2159.

Pushkaras are celebrated at 12 rivers, 1 river per year, according to which rasi Jupiter enters that year. Though the festival is theoretically ongoing throughout the year, only the first 12 days of Jupiter entering the rasi are celebrated. The last 12 days of Jupiter leaving the rasi are also considered auspicious.

The 12 rivers are: Ganga, Narmada, Saraswati, Yamuna, Godavari, Krishna, Kaveri, Bhima (tributary of Krishna), Tapti, Tungabhadra, Sindhu, Pranhita (tributary of Godavari)

Pranahita Pushkaralu is a festival of River Pranahita normally occurs once in 12 years. The Pushkaram is observed for a period of 12 days from the time of entry of Jupiter into Pisces (Meena rasi).Pranahita Pushkaralu was celebrated from April 13 - 24, 2022









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Mancherial District History

Mancherial district was created out of Adilabad district in 2016 during the general reorganization of districts in Telangana. The district headquarters is located at Mancherial town. It is surrounded by Komaram Bheem, Nirmal, Jagtial, Peddapalli and Bhupalpally districts of Telangana and with Maharashtra state.

Mancherial is said to get its name from the term ‘Manchi Revu’ as the place is on the banks of river Godavari. It is believed that later Manchi Revu was westernized as Mancherial.

Mancherial is previously called as "GARMILLA". 

Jurassic Period

Yamanapalli Dinosaur Fossil of Kotasaurus Yamanpalliensis, 16-foot-high (over 5 metres in height) and 14 metres in length from Jurassic age, dating back to about 160 million years was found during an excavation by the Geological Survey of India (GSI) in Yamanapalli region of Mancherial District, Telangana State, India.

Negligent Telangana government has no plans for a fossil park
While a fossil eco-park is being developed with fossils of trees, fish, leaves and animals from the Permian, Triassic and Jurassic ages in Sironcha, Maharashtra, Telangana state forest department has neglected the Kataram-Mahadevpur-Yamanapalli site despite a number of fossils found in the Pranahita-Godavari valley of the same area. Scientists from the Geological Survey of India had earlier excavated fossils of dinosaurs and other animals and plants, and had placed them in their museum at GSI Southern Region headquarters at Bandlaguda, and another dinosaur fossil at the Birla Science Centre, both in Hyderabad.

Mesolithic cave paintings found in Thaatimattayya hills of Buggagattu forest in Mancherial district of Telangana State.

700 BC - 300 BC : Asmaka 
Founder : Unknown (Believed to be Asmaka)
Capitals : Potana or Potali or Paudanya of Mahabharata or today's Bodhan.
Languages : Prakrit
Religion : Budhism, Jainism, Hinduism

c.300 BC - 232 BC : Mauryan Empire (322 BC –185 BC)
Founder : Chandragupta Maurya (320 BC - 298 BC)
Capital : Pataliputra
Languages : Prakrit
Religion : Budhism, Jainism, Brahmanism

c. 232 BC - c. 208 AD : Pre-Satavahana and Satavahana Dynasty
Excavations in kotilingala found punch marked coins of Pre Satavahana rulers
Rano Gobhadasa, Siri Kama, Sirivaya, Siri Naransa, Rano Sama Govasa
Siri Satavhanasa, Rano Siri Sataka Rinisa, Rano Siri Simukha Satavahanasa, Rano Siri Satakanasa, Rano Siri Pulomavisa, Mahatalavarasa, Maha Senapthi Sagamanasa, Salakasa, Mahatalavara Sivakhada, Maharathi Sivakanasa

208 AD - c. 320 AD : Ikshvakus
Founder : Vashishthiputra Sri Santamula (Santamula I) : 208 - c. 250 AD

c. 320 AD - 340 AD : Pallava Dynasty (275 AD - 897 AD)
Pallavas were initially feudatories of Satavahanas and later ruled independently from Kanchipuram.

c. 340 - 477 A.D : Vakataka Dynasty (250 AD - 500 AD)
Founder : Vindhyashakti (250 AD - 270 AD)
Capitals : Vatsagulma, the present day Washim in Maharashtra.
Languages : Maharashtri Prakrit, Sanskrit
Religion : Budhism, Hinduism

c. 477 AD to 611 ADVishnukundins (380 AD - 611 AD)
Madhavavarma II (456 AD - 504 AD)
Wife : Vakataka Princess Mahadevi
Ruled at least 48 years
The reign of Madhavavarma was a golden age in the history of the Vishnukundins. It was during this period, the small Vishnukundin dynasty rose to imperial heights.

611 AD - 753 AD : Badami Chalukyas (543 AD - 753 AD)
Founder : Pulakeshin I
Capitals : Badami
Languages : Kannada, Sanskrit
Religion : Jainism, Hinduism

753 AD - 973 AD : Rashtrakuta Dynasty of Manyakheta
Founder : Dantidurga 
Capital : Manyakheta
Languages : Kannada, Sanskrit
Religion : Jainism, Hinduism

753 AD to 973 AD : Vemulavada Chalukyas (vassals of Rashtrakuta Dynasty) ruled Karimnagar and Nizamabad. One of the famous chalukya dynasties, who ruled the North-Western part of Telangana region  were the vemulawada chalukyas. Pulakesin-II, the Badami Chalukya king was the originator of this dynasty. Ten generations of this dynasty ruled the region with vemulawada of Karimnagar district as their capital. Their kingdom began with the Rashtrakutas and ended also with Rashtrakutas.

930 - 958 AD : Arikesari II son of Narasimha II and Jakavve
Wife : Revakanirmadi (daughter of Rashtrakuta Indra III 914 - 929)
He was the son of Narasimha II by queen Jakavve, probably a sister of Rashtrakuta emperor Indra III. He married Revakanimmadi, a daughter of Indra III and another Rashtrakuta princess named Lokambika.

His reign considered as golden period for Nizamabad and Karimnagar.

12th July, 940 AD : Chennur, Mancherial District.
This inscription is on a pillar near the dhvajastambha in the Siva temple, dated Saka 863, Sarvari, Sravana su. 5, Sunday=940 A.D., July 12. The Saka year was current. Seems to record a grant of an agrahara on the bank of the Godavari to Tammayya of Nanayuru by Baddega, son of Gunagarasa of the Chalukya family and a subordinate of Arikesari-arasa who is himself described as a scion of the Chalukya family and as feudatory of the Rashtrakuta king (Tribhuvanamalla-vamanta-chuda-mani).

c.958 - c.960 AD : Vagaraja
Ruled from Gangadhara as Capital
Patronized Somadevasuri, the author of Yasastilaka Champu who described the king as Pada-padmopajivi a worshipper of the feet of the Rashtrakuta king Krishna III. indicating the declining power of Vemulawada Chalukyas.

c.960 - c.965 AD : Bhadradeva / Baddega II
Ruled from Vemulawada as Capital
The bommalagutta region flourished as a center of Jainism during his rule.

c.965 - c.973 AD : Arikesari III son of Baddega II
Ruled from Vemulawada as a Vassal of Krishna III (939 - 967)
]

973 AD - 1158 AD : Western Chalukyas / Kalyani Chalukyas (973 AD - 1189 AD)
Founder : Tailapa II Capitals : Manyakheta, Kalyani (Basavakalyan in Bidar , Karnataka)

1158 AD - 1323 AD : Kakatiya Dynasty
Founder : Venna
Capitals : Anumakonda(Hanumakonda), Orugallu / Ekasilanagara (Warangal)
Languages : Telugu, Sanskrit, Kannada
Religion : Jainism, Hinduism (Saivism)
1199 AD : Allamprolaraja
During the time of mighty Kakatiya ruler , Ganapathi Deva , this part of the country was ruled by his vassal one Allum Prolaraju

26th December A.D. 1199 : Manthena, 
This inscription is on a pillar in the Hanuman temple near the tank called Tamma cheruvu. The record refers itself to the first regnal year of Kakatiya Ganapatideva. A chief named Allamprolaraja, who was ruling over Chennuridesa is stated to have made with the consent of the king Ganapatideva, a grant of land to Manchibhattopadyaya, the priest of the latter, the object of the grant being to enable the donee to construct a village and a tank in it. The gift land is stated to have been bounded by Godavari on the south. The donee Manchibhattopadhyaya accordingly founded a village and excavated a tank in the said land and gave house sites to brahmanas of Mantrakuta. He also installed temples for Kesavadeva and Mahadeva and gave a garden to the god Gopijanavallabha of Mantrakuta.


1323 AD - 1336 AD : Tughlaq Dynasty (1320 AD - 1413 AD)
1323 AD - 1325 AD : Ulug Khan or Muhammad bin Tughluq (1325 AD -1351 AD)
Ghiyasuddin Tughluq's son and general Ulugh Khan (Muhammad bin Tughluq) captured Warangal in 1323, Ulugh Khan himself took over the Governorship of what is now a new province of "Teling" (Telangana) in the Sultanate. Gannaya was captured and converted to Islam, given the name Malik Maqbul and found a place in the new regime. When Ulugh Khan left for Delhi soon afterwards, he left Warangal in the charge of Malik Maqbul. Ulugh Khan succeeded Ghiyasuddin Tughlaq as the new Sultan of Delhi under the name Muhammad bin Tughluq

1325 AD - 1336 AD : Malik Maqbul or Gona Gannaya III, was a commander of the Kakatiya Empire under Prataparudra (r. 1289–1323). Marana's Markandeya Puranamu (in Telugu) names him as "Gannavibhudu" and describes him as the commander (Kataka paludu) of Warangal Fort, the capital of Kakatiyas. The term Mala Devudu (meaning "Lord") implies that he was very high up in the hierarchy.

Kapaya Nayaka took control of Warangal from Malik Maqbul or Mala Yugandharudu in 1336 and thus also of a wider swathe of eastern Telangana that was governed from there.

1336 AD - 1368 AD : Musunuri Kapaya Nayaka (1333 AD - 1368 AD)
Kapaya Nayaka led a larger rebellion against the Tughluq rule, driving it out of Warangal in 1336. According to the Kaluvacheru grant of Anithalli, a female member of the Panta Reddi clan in 1423, Kapaya Nayaka was assisted by 75 Nayakas. The grant also states that Prolaya Vema Reddi was one among these 75 Nayakas.

Rachakonda Kingdom
1368 AD - 1383 AD : Anavotha nayaka (1361 AD - 1383 AD)
Capital : Rachakonda
Anapota I and Mada I attacked Musunuri Kapaya Nayaka for the control of Warangal fort, they defeated and killed him at Bhimavaram battle in 1368 AD.

Ainavolu sasanam of Anapotanayaka describes him in possession of Tribhuvanagiri(Bhongir), Orugallu and Singavaram forts and took the title of “Tribhuvana Rayarao’. With this victory his kingdom stretched upto Godavari in the North, Srisailam in the South, Bahamani kingdom in the West, and Kondaveedu in the East.

1383 AD - 1399 AD : Recherla Singama nayaka-II / Singabhupala-II
After Anapotanayaka his son Singamanedu II ascended the throne of Rachakonda. Singam Nayaka II was also known as “Sarvajna Singa Bhupala” and he was a great writer and poet.

Before coming to the throne he captured the fort of Kalyani in Gulbarga district. It appears that he went to Karnataka to help the Bahamani kings and took this fort during the campaign.

1399 AD -1421 AD : Recherla Anavotha nayaka-II 
After Singhabhupala II his son Immadi Anapotanayaka came to the throne in 1399 AD. He is also known as Kumara Anapotanayaka and Pinnamanayaka. He is a contemporary of the Bahamani sultan Firoz Shah. The burden of saving his kingdom from Bukkaraya fell on him. As per Velugotivari Vamsavali he saved 10,000 people from Metuku (Medak) Fort. It is possible that Bukkaraya went up to Medak fort victorious and laid seize to it and Anapotanayaka relieved and saved the garrison during this campaign.

1403 AD : Peddiraju Anantaraju, who was a vassal during reign of king Anapota-II 
Dyavanapalli Satyanarayana, who deciphered the inscription says that the ruler’s name in inscription is mentioned as Peddiraju Anantaraju, who was a vassal during reign of king Anapota-II who used to rule from Rachakonda in the present day Nalgonda district.Satyanarayana points out that even now people residing in the area have either Peddiraju or a modified form of the word, Peddi or Peddulu in their names. Name of the present priest in a famous temple located in the fort is Peddulu. 

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Raja Narsa Goud

Raja Narsa Goud (1866-1948) was a philanthropist known for his significant contributions to charities, especially those caring for people with leprosy. Raja Narsa Goud paid for the construction of the first water tank in Nizamabad and for further plumbing works with Cheelam Janakibai, head of Sirnapalli. 

Goud accepted the title of Raja, bestowed by Mir Osman Ali Khan. 
King George V gave a medal to Goud during a 1930 visit, in recognition of his service to his community. 

The legendary fame of the late Raja Narsagoud of Nizamabad as a friend of the poor was such that people inneed would land up in front of his house seeking him out even 30 years after his death. Narsagoud became alegend in his lifetime and itinerant bards who had composed and sang songs in his praise, citing his innumerable good deeds and sang them in village after village, had spread far and wide, even beyond Hyderabad State, his name.

Narsagoud was one of the richest men of the then princely state of Hyderabad, Deccan. He was one of the three leading excise contractors in the Hyderabad Dominion with business interests in Karimnagar, Nizamabad and Adilabad districts. His fame as a friend of the poor and as a giver was not just limited to Hyderabad but spread as far as Benaras. According to a well-know story, the then Rani of Sirnapalli, JanakiBai went in a special train to Benaras with a huge entourage. As the story goes, when awed on lookerswanted to know who this VIP was, the answer they got was “Rani of Sirnapalli.” But where is Sirnapalli, the onlookers asked. The answer came : In Narsa Goud’s Nizamabad! Narsagoud’s business office in PeddaBazar of Mancherial in Adilabad district, was as big and as busy as a Tehsil Office, according to an old-time resident of Mancherial, Jaganmohan Reddy.

Born in 1866 in Nizamabad district, Narsagoud was the youngest of three children. While his elder brothers, Ramagoud and Lakshmagoud managed the excise business of the family and were constantly on the move, Narsagoud managed the administration and finances of the business, based in Nizamabad town. The triostrengthened the family’s considerable fortunes vastly, making them one of the wealthiest in the state.

Narsagoud not only had a highly developed business sense but was driven by a passion to contribute tosociety. He made no distinction of religion and caste when he gave. He generously donated for theconstruction of temples, masjids and dargahs. He built homes or dharamsalas for the poor and ‘satrams’ forBrahmins, among others in Kotgalli and another in Kantheshwar in the town. When a Christian priest inPeddapalli, now in Karimnagar district, brought to his notice that he had no dwelling, Narsa Goud promptlygot a house built for him. Such was his social concern that Narsa Goud had wells dug every few km on theroad from Nizamabad to Mancharial for the benefit of travellers. He set up homes for the homeless in Vimrivillage and in Kantheshwar. Every year, before the onset of winter he would distribute a pair of chappals anda ‘gongali’ or blanket to the poor to keep them warm. During summer, he would organise mass feeding ofpoor with ‘ambali’ or porridge and jaggery ‘pakam’ to fight the searing heat.

The Kantheshwar and Pahadi Dargahs in Nizamabad were constructed by him. As a great worshipper of LordShiva, Narsagoud retrieved and re-constructed the ancient Shiva temple of Kantheshwar in Nizamabad andconstructed the Shambhuni Gudi in Nizambad and the Shiva temple at Sarangapur, among others. Hedonated large sums of money to the Mecca Masjid and had the Gurudwara for Sikhs constructed inNizamabad.

Impressed by the work of Dr. Isabel Kerr, a missionary of the Methodist Church, among lepers in the villages of Nizamabad from 1907 onwards, he supported the idea of a permanent treatment centre for them and donated 60 acres of land at Dichpally and an unspecified amount to set it up. The Leper Home was started in1915 which was later converted into a hospital and rechristened as Victoria Hospital in 1928. Narsagoud canbe thus credited with enabling the setting up of one of the earliest leprosy treatment centres in India. Narsagoud was also responsible for the setting up of the district’s first ever maternity hospital or Jajgikhana, as it was then called. He had the building constructed and handed it over to the government to run it. Whenthe district administration could not find funds to introduce piped water supply in Nizamabad town, it turned toNarsa Goud who funded it.

Narsagoud was a great believer in education and nursed talent in the poor by financing the education of bright youngsters. Those whom he supported belonged to all castes and they went on to become topengineers, judges and even an MP in Lok Sabha. He was responsible for starting the first girls school inNizamabad. He donated the building for it. Narsagoud was the founder of the Goud Hostel in Hyderabadwhere the young boys of the community were given free board and lodge as they studied. He regularly visitedthe hostel and took care of the special needs of the hostellers. Every Christmas, Narsagoud would distributeclothes and other essentials to the inmates of the Dichpalli Leprosy Hospital. In the 1930’s, Narsagoud hosted the Andhra Maha Sabha Conference in Nizamabad.

A unique characteristic of Narsagoud was that he did not believe in having any record of his contribution tothe society. So much so when his only son Ramagoud installed a plaque without his father’s knowledge, inthe Maternity Hospital stating it was constructed by Narsagoud, the latter had the plaque removed when hecame to know about it. He however gracefully accepted the title of “Raja” bestowed on him by “His ExaltedHighness,” Fath Jang Nawab Mir Osman Ali Khan Asif Jah, VII Nizam of Hyderabad State in recognition ofhis contribution to society and especially to improve the quality of life of the poor. Such was Narsagoud’sstanding with “His Exalted Highness” The Nizam of Hyderabad that he was allowed the privilege of sittingnext to him.

Narsagoud encouraged his son Ramagoud’s entrepreneurial zeal who introduced the silent film to Nizamabad and later, the talkies, too. Ramagoud set up Nizamabad district’s first-ever rice and oil mill and Narsagoud later on financed the secondrice and oil mill of the district, set up by Ranga Reddy in Bodhan.

Raja Narsa Goud died on 4 April 1948 at the age of 82. His death occurred during the Standstill Agreement when Razakars paramilitaries were active. Goud's family were nervous of taking his body to the crematorium for fear of encountering violence, but Muslims that they met along the way helped to carry Narsa Goud's body with them, in respect for Goud's support of people of different castes and creeds.

Muslim men from almost every house thus helped the passage of body on its final journey, with love, respectand dignity. The homage paid by the Muslims to Narsagoud was perhaps the most touching and anappropriate recognition of his contribution to humanity. Narsagoud, both in his lifetime and in his death, showed that ties of love and respect were more enduring than those of hate. As a Muslim poet wrote in his honour, Hyderabad State did not have a more generous man than Narsagoud and that his generositysurpassed even that of Hatim Tai, the legendary Arab king whose name is synonymous with wisdom, courage, generosity and selflessness.


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Sirpur-Chanda Gond Dynasty

c.1310 AD - 1750 A.D: Sirpur-Chanda Gond Dynasty of Gondwana Kingdom
Founder : Kol Bhill or Kol Bheel or Kolkhil 
Capitals : Sirpur (modern Komaram Bheem Asifabad district, Telangana), Ballarsha, Chanda (Chandrapur district, Maharashtra)
Languages : Gondi language is known as ‘Koyator’ among Gonds. Southern Gondi, Adilabad Gondi, Northern Gondi, Aheri Gondi are variants of the language.
Religion : Brahmanical Hinduism or Cult of the Persa Pen (clan deities); ancestor spirit worship
Royal Emblem : Lion and Elephant
Family Name: Singh, Shah
Sirpur-Chanda Gond Kingdom flourished along with Kakatiyas, Mususnuru, Recharla Padmanayakas, Bahmani, Golkonda, Moghul and Asaf-Jahi dynasties.

The term ‘Gond’ is derived from Telugu ‘Konda’ which refers to a hill. Tribal communities living in hills of central India are called Gonds. They also call themselves Koitur / Koya, or “the ones who come from the green mountains”. They may be found in Madhya Pradesh, Maharashtra, Chhattisgarh, Telangana, and Odisha. They are one of the largest tribal communities in India with a population of over three million as per 2011 census records. Their presence is widely divided across central India. They were classified as Raj-gonds, Khatola gonds, Madia gonds, Dhur gonds, Dadve gonds, Mokasi gonds, Gaita Gonds, Koyas, etc. Raj Gonds belong to the ruling class among them.
Adilabad in Telangana speak Gondi influenced by Telugu language. So, one may understand that ‘Gondi’ today refers to those who speak Gondi language. Gondi language is known as ‘Koyator’ among Gonds.

In Telangana the Raj Gonds are mostly confined to Adilabad district, though a few groups can be seen in adjoining Karimnagar district. They have spread up to borders of Maharashtra state.
The Rajgonds finally established their four kingdoms through their distinct dynasties Mundla-Gurrah, Kherla, Sirpur-Chanda and Deogarh the fifth dynasty was established at Warangal.

Adilabad based kingdom spread across Adilabad district of Telangana, Chandrapur and Bhandara districts in Maharashtra state. The rulers were known to have developed systematic irrigation channels & refined revenue system.

Between the 14th and the 18th centuries, three main Gond kingdoms existed; Garha-Mandla occupied the upper Narmada Valley, Deogarh-Nagpur occupied the Kanhan River and upper Wainganga River valleys, and Chanda-Sirpur occupied present-day Chandrapur, Gadchiroli, and eastern Adilabad districts.

 Kol Bhill or Kol Bheel or Kolkhil
According to the local Gond traditions, a hero known as Kol Bhill or Kol Bheel rose among them whose name is a curious combination of the names of two other aboriginal races (Kols and Bhils), that the Southern Gonds or Sirpur-Chanda Gonds owe the beginnings of their rule. A man of great strength and wisdom, he first welded the Gond tribes together, and taught them the elements of civilisation. He gathered the scattered Gond tribes and formed them into a sort of nation, teaching them the extraction of iron from iron ore and other elements of civilization.

He led the Gonds against the Naga tribals of Mana Dynasty of Wairagarh of present-day Maharashtra, who had dominated the region for about 200 years. After years of warfare the Manas fell to the Gonds, who replaced them.

According to Gond legends, a Gond chief, Bhim Ballal Singh, organized the Gonds and established his rule in Sirpur in 870 AD. The legend also names 19 Gond rulers.

Bhim Ballal Singh
His capital was at Sirpur, on the right bank of the Wardha river, and his chief stronghold was the fortress of Manikgarh, in the hills behind Sirpur. For the first eight generations these Gond kings reigned at Sirpur, in the modern State of Telangana. 

But the Manas fort of Manikgarh in the high ranges of the hills remained

Kharja Bhallal Singh 
Son of Bhim Ballal Singh

Hira or Heera Singh 
Conspicuous amongst these rulers was Hir Singh the grandson of Bhim Ballal Singh. Brave in war and wise in administration he was the first to persuade his wild fellow-countrymen to cultivate the land. To him is attributed some- thing like a rudimentary land-revenue system. First to levy tax on occupied lands.

Andia Bhallal Singh
Andea son of Heera Singh came to rule after his father and harassed people by increasing taxes. People revolted against him and died very early. 

Talwar Singh
Andea's son Talwar Singh succeeded his father. He was a good ruler, gave relief and freedom to people who were harassed under his father. His minister and chief of forts misued his confidence in them and harassed people and increased taxes again. They created their own army and got ready to declare indolence. Talwar singh could not control them and made his son Kesar Singh ruler of the kingdom and retired.

Kesar Singh
As Kesar Singh was courageous, he fought battles with the chiefs of forts who turned against his father and suppressed them. He reduced taxes and focussed on agriculture sector and provided irrigation facilities like ponds and dug drinking water wells. He also introduced administrative reforms again and gained the respect of the people.

Dinkar or Dinakar Singh
Dinakar Singh son of Kesar Singh, succeeded him. He was a patron of literature and arts and patronized several musicians and Marathi scholars of Maharashtra. His period was called as the golden era of Gondwana Kingdom. The culture of the Gond court improved. Though a self-indulgent character he was in some respects more enlightened than his predecessors. Gond bards flocked to his capital at Sirpur and pundits acquainted with Marathi, were encouraged to settle there.

Ram Singh
On his death his son Ram Singh succeeded him. Of him it is writte " Just and truthful in his intercourse with his subjects and daring and successful as a soldier. Ram Singh governed the kingdom righteously and enlarged its bounds. 

To increase its security he erected several hill-forts on the south-west, and maintained a chosen band of warriors called ' Tarvels' or Tarvekas or Tadavel. These men had eaten the * taru ' (a rare orchid) with certain ceremonial obser- vances, and were supposed. to be invulnerable. To each of his Tarvels the King made grants of land."

Ahmed Shah of the Bahamani empire attacks his kingdom and invests Fort Mahur, capturing Kalamb. This results in the massacre of many Hindus.

1405 AD - 1437 AD - Surja Ballal Singh alis Ser Shah
Ram Singh was succeeded by his son Surja Ballal Singh, who is one of the most romantic figures of old Gondwana. Handsome in person, and a lover of adventure he began his princely career by some years of wandering. After visiting Benares, the holy city of Hinduism, he journeyed to Lucknow, where he devoted himself to the study of war and song. His troubadour- like existence in Oudh, however, was cut short in a rather unpleasant manner. The looting pro- pensities of his Gond escort having reached the ears of the Emperor at Delhi, orders went out for the Gond prince's arrest. This was no easy matter, as his brave Tarvels were ever watchful of their master, and on several occasions proved more than a match for the imperial troops, who were sent from Delhi to arrest him. One day, however, when wandering near Lucknow, without his escort, BaUal Singh was captured, and carried off to Delhi, where he was kept in close confine- ment. Horrified at^ the capture of their brave prince, his escort of Tarvels hastened back to Gondwana to break the evil tidings at the Gond capital of Sirpur. Then it was that the " tocsin " resounded throughout the forest lands of Chanda, and the Tarvels were siunmoned by Jarba, the regent, to come speedily to the rescue of Ballal Singh. Meanwhile things had taken a turn for the better with Surja Ballal Singh. As he wiled away the weary hours of his captivity in song, it fell out one day that the Emperor's lovely daughter passing by that part of the palace where he was confined, heard him singing. Desirous of seeing the prince who could sing so well, she persuaded the Emperor to send for him. The result of this interview was just what Ballal Singh must have desired. Struck by his princely bearing the Emperor enquired whether Ballal Singh could fight as well as sing. On the Gond prince replying that he only longed for an opportunity of showing his skill in battle the Emperor allotted to him the difficult task of subduing the fortress of Mohan Singh which his own generals had failed to take. This Rajput prince had incurred the Emperor's displeasure by refusing to give his beautiful daughter to the imperial harem. Hardly had Ballal Singh accepted this honour- able tads^ and before he had time to start for Gondwana where he was about to raise an army of Gonds^there appeared before the gates of Delhi the Gond regent Jarba and an army of Tarvels and other Gonds, bent on the rescue of their prince. On learning the changed condition of affairs and that their prince was now a commander in the Muslim armies Jarba gladly agreed to accompany the expedition. Ten thousand picked soldiers from the imperial troops were added to the force, and Ballal Singh was soon on his way to the rebelious State. The campaign was a brief and successful one. The Tarvels, under the leadership of their prince, performed miracles of valour, stormed the fortress, slew the Rajah, and captured his widow and daughter.

Then follows the romance of the story. The beautiful widow implored the chivahous Surja Ballal Singh to save her and her daughter from the imperial harem and he overcome by her charms rashly undertook to do so. His task was by no means an easy one but Surja Ballal Singh eventually devised a plan by which he succeeded in deceiving the Emperor and acquiring the ladies for himself. A rumour was started by his orders among his troops, that his eldest son — a beautiful boy — had just arrived in camp. Disguising the beautiful young Rajputni princess in boy's dress, he placed her on the state elephant on which he himself rode triumphantly into Delhi. Proceeding to the imperial palace he announced his arrival and craved the audience of the Emperor. The Emperor seated on his throne in the Diwan-i-Khass welcomed the victorious prince, and taking the beautiful child on his knee addressed him as his dear child. Then turning to Ballal Singh he asked of him : " Where, O Prince, is the fruit of thy victory ? " " Your Majesty holds her in your lap," replied the Gond prince, " and as you have called her ' Your dear child ' she can be nothing else to you.*' What the Emperor really felt about this trick which Surja Ballal Singh had played on him we are not told. His honour, however, was now involved, and he at once renounced all claim to the Rajput ladies, who later on accompanied the Gond prince to his capital at Sirpur. It speaks well for an autocrat like the Emperor of Delhi that in spite of this act of deception he was ready to confer on Surja Ballal Singh a dress of honour as a reward for his bravery. The title of Sher Shah was also conferred on him, so that after his return from Delhi he was no longer known as Surja Ballal Singh, but as Sher Shah Ballal Shah. Readers of Gond records cannot fail to be struck by the fact that while the earlier rulers of the Northern and Southern Gond dynasties are styled " Singh " (the Rajput title for a ruler), the later rulers are styled " Shah," an abbreviated form of Padishah, the Muslim term for a ruler. Doubtless the change of title merely marked the decline of early Rajput influence, and the ascendency of the Moghul power.

1472 AD - 1497 AD : Khandkia or Khandkya Ballal Shah
Changed Capital from Sirpur to first Ballarsha and later to Chanda.
On the death of the Surja his son Khandkia Ballal Shah came to the throne. Suffering constantly from ill-healthy it seemed hardly possible that his reign would add any lustre to the southern house of Gond kings. And yet, strange though it may seem, it was this very ill-health of their ruler which was destined to bring about a change, which did so much to strengthen the position of the Southern Gond kingdom. Khandkia's queen was a woman of more than ordinary discernment and decision of character. In her anxiety for his health she urged him to abandon the home of his ancestors at Sirpur, and to seek a healthier and more secure capital on the opposite side of the Wardha river. Acting on her advice, the Gond king moved his capital to a site on the high banks of the left bank of the Wardha river which still bears his name. There he built the picturesque fortress of Ballarshah — now partly in ruins — which commands a splendid view of the river and a wide sweep of Deccan country. Still suffering from his disease, he spent much of his time in the saddle, exploring the surrounding country, and hunting its game. It was while engaged on one of his hunting expeditions that the event occurred which led to the founding of the city of Chanda. Riding one day some ten miles from Ballarshah he became extremely thirsty, and while walking his horse up the dry bed of a small river, to his great joy discovered a small pool of water in its rocky bed. Dis- mounting he greedily drank the cool water, and bathed his face and hands in the pool. That night on his return, to Ballarshah, he slept as he had not slept for years. In the morning when he awoke his queen noticed that the swellings and tumours which had disfigured his handsome face and body for some years had almost vanished. In her delight she questioned him closely about the pool in which he had bathed, and being convinced that there was more in it than ordinary water, she implored Ballal Shah to take her over to it that very morning. On reaching the spot orders were at once given to have all the grass and jungle removed from around the pool, when, to the wonder and delight of the king and queen, as well as to the assembled court, five deep footprints of the sacred cow were seen in the solid rock, each filled with an unfailing supply of water. Further enquiry made it dear that this spot was none other than the resting- place of the great god Achaleshwar "The Immovable One.'' Further bathing in its sacred waters soon re- stored the king to complete healthy and removed all his bodily disfigurements. Not long afterwards to confirm this great discovery^ the god Achaleshwar appeared in a night vision to the happy king. Possessed of a genius for taking hints from either gods or men, she made it quite dear to the king that the god Achaleshwar expected him to build a temple over the sacred pools in his honour. Plans of the temple were speedily prepared, stone was quarried, the foundations were laid with due ceremony, and before many months the temple of Achaleshwar was rising from the ground, a temple which still stands, after 500 years, in memory of Khandkia Ballal Shah's restoration to health and happiness. While this temple was in process of construe^ tion, another event occurred which was to lead to the founding of the city of Chanda. It was the king's custom to ride over from Ballarshah from time to time to see how the work at the temple progressed. On his rides he was invariably accompanied by a faVourite dog. One day when riding back to Ballarshah, and while dose to the temple, a hare darted out of a bush, and strange to rdate began to chase his dog. The dog fled in wild terror with the hare in close pursuit. Astonished at the sight, the king followed the chase as closely as he could. At times, with a view of shaking of his pursuer, the dog ran in wide circles, while the hare took a shorter and more grag course. And so the race continued until both the animals were nearly exhausted. Then when they were approaching the place Where the race had begun, after a circular chase of nearly seven miles, the dog in wild desperation turned on the hare, and after a sharp struggle killed it. Approaching the dead hare, the Gond Rajah observed for the first time that on its forehead was a strange white mark or " tika." Full of his strange adventure he rode back to Ballarshah to tell the story to his sympathetic queen. Again her genius penetrated into the inner meaning of this mysterious occurrence. It was clearly an omen sent by the gods that Khandkia Ballal Shah was again to change his capital, and build a fortified city around the temple of Achaleshwar. The chase was but the gods own method of town- planning. The walls of the city must be built over the tracks of the sacred hare — strong bastions must be built at the places where the dog had made his circular detour — and special fortifications would be needed where the hare had closed with the dog, and also where the dog had slain the hare; for these would always be danger zones in the new city. Thus was begun the city of Chanda, or Chandrapur, which, according to some, derives its name from the moon, and according to others from the white spot on the hare's forehead,

1497 AD - 1522 AD: Heer Shah
Khandkia Ballal Shah was succeeded by his son Heer Shah, in whose reign the country prospered. Like his remote ancestor, Hir Singh of Sirpur, his mind was bent on the improvement of agriculture in South Gondwana. Calling the trusty Tarvels to a banquet, he urged on them the duty of clearing and cultivating the lands which his grandfather had bestowed on them. To every one who cleared his lands of forest and jungle, was offered the rights of ownership, whereas those who through laziness and apathy refused to do so, were duly warned that their lands would be confiscated. Nor was Hir Shah content with merely issuing orders on these subjects. From time to time it was his custom to tour throughout his wild State, for the purpose of seeing for himself how his orders had been obeyed. Boundaries were then marked out^ and ** sanads,' or rights of tenure, were formally bestowed on worthy land- holders. Special rewards also were given to those who had constructed tanks on their prqperty — and those who had made irrigation channels or canals were often given all the land which their waters reached. In this way much of the wild country was brought under cultivation, and numbers of the migratory Gonds were drawn into the quiet life of the agriculturist. It is to Hir Shah in particular that the Chanda district owes so many of its splendid tanks. Once a year all landowners appeared before the Rajah at Chanda to pay their rents and exhibit their ploughs and other field implements. By this means a rough calculation of the value of their property was made. In Hir Shah's reign the massive gates of Chanda, with their quaint emblem of Gond sovereignty —the elephant helpless in the grasp of a gigantic tiger/' which resembled the mastodon of pre- historic days, were completed. To him also belongs the honour of building the citadel and the palace, parts of which still remain, though degraded to the less noble uses of a jail and police station I of Hir Shah it is specially recorded that he paid tribute to no foreign king, so that any over-lordship on the part of the Bahmani kings of the Deccan.

1522 AD - 1542 AD : Bhuma and Lokba
As Hir Sah had no sons his widow Hirabai adopted Bhuma and Lokba as his successors from the Gond family at Movad .
On his death his two sons Bhuma and Lokba jointly ruled the kingdom, according to a scheme laid down by their father. Fortunately no jealousy or rival ambitions were felt by either of them. Those were merry days in Chanda, like the days of Good Queen Bess in England. In the summer season the various Gond chieftains and headmen waited on their princes, with bodies painted in divers colours, and adorned with various ornaments, such as peacocks' feathers, beetles' wings, tiger and panther sldns, and the horns of the young bison. Each headman brougt with him specimens of the various products found on his estate, both animal and vegetable and the festivities concluded with a great banquet at the royal palace. There was a pleasing diversity among these old Gond rulers of Chanda. Some were stem warriors full of ambition to extend their territories ; while others were more peacefully inclined, who won their triumphs in the devdopment of the resources of their forests and jungles.

1542 AD - 1572 AD : Kam Shah
Kam Shah, the grandson of Hir Shah, belonged, however, to another and less conunon type of ruler. Thoughtful and religious, he was from the first strongly attracted to the Hindu religion. A lover of its sacred books, Brahmans and Pandits soon flocked to his kingdom, and were rewarded with fields and villages free of rent. Lingas of Mahadeo were set up in many places, new temples built and old temples restored. Justice, too, was administered as never before. Before his days no king in South Gondwana ever dreamt of interfering in the disputes of his subjects, and every ntian was his own judge and high-executioner. If anyone had appealed to the king for justice when their relations had been murdered, the king had but one reply, ''Slay your enemy." In Kam Shah's days those state of things was no longer tolerated. Justice was evenly administered, and habitual offenders were banished from the State. Falsehood and perjury woe punished with the utmost severity, and men dwelt securely under the shadow of their vines and fig-trees.

1572 AD - 1597 AD : Babaji Ballal Shah
Seldom is any mention made of these jungle kingdoms in the annals of the Imperial Court at Delhi but so prosperous and important had Southern Gondwana become at this period that in the Ain-i-Akbari or Chronicles of Akbar it is recorded of Babaji Ballal Shah Kam Shah's son that he paid no tribute to Delhi and possessed an army of 10,000 cavaliy and 40,000 infantry." In his reign the city of Wairagarh— the capital of their hereditary foes was added to the kingdom of Chanda.

1597 AD - 1622 AD : Dhundia Ram Shah
On his death , he was succeeded by his son , Dhundia Ram Shah ; it was during his reign that the city - walls surrounding Chanda were completed and , as such , inaugurated by him with due ceremonies , which included , among other things .

1622 AD - 1640 AD : Krishna Shah
Son. Extended territory to Nagpur.
The custom of sacrificing cows to the gond god pharsa pen was abolished by him and it was substituted with goat.
1637 A.D - In January of 1637, Deogarh was invaded by Khan-i-Dauran joined by Krishna Shah of Chanda, who had an enmity with the Deogarh kings since the reign of Jatba. Kok Shah was defeated in the siege of the Nagpur fort and submitted to Khan-i-Dauran on 16 January 1637.

1640 AD - 1691 AD : Bir ShahBir Shah discontinues tribute to the Moghuls following the house arrest of Shah Jahan, but Aurangzeb sends an army under the command of Diler Khan to attack the Gonds, forcing them to sue for peace.

Bir Shah, one of the most distinguished princes of Chanda, had given his daughter to Durgpal, a prince of the royal house of Deogarh. Durgpal, who most probably had never seen the princess till the day of his marriage, seems to have taken a violent dislike to his bride, and to have insulted her in some inexcusable way. Bir Shah in wild anger vowed that he would never rest till he had placed the head of the ntiiscreant Durgpal on the top of the shrine of the great goddess Kali at Chanda. A bloody battle ensued, and in its earlier stages everything went well with the Moslem Gond king of Deogarh. Bir Shah was on the point of being captured, when drawing the sacred sword jof his house, and with a loud voice invoking the aid of Maha Kali, he rushed on Durgpal, and with one blow deprived his son-in-law of his head. After the death of their prince the army of Deogarh lost heart and fled, and Bir Shah returned with his triumphant army to Chanda. And to-day, high up on the roof of the lofty temple of Maha Kali, which lies outside the city walls of Chanda on its southern side, one may see a head carved in stone gazing away northwards to Deogarh, which recalls the story of the unfortunate Durgpal.

Bir Shah's own end was even more tragic than that of his son-in-law. It came to him on the day of his second marriage. There is an old Indian custom that part of the bridegroom's duty on the marriage day is to fetch the bride from her father's house to his own. For some years there had been at Bir Shah's court a Rajput named Hiraman, renowned for his skill at arms and believed to be the possessor of a magic sword. More than once Bir Shah had asked this rather mysterious person to reveal to him the secret of his sword but to no purpose. And for the last time on this happy day, before the royal procession set out to the bride's house, he again asked him, half in banter, to explain to him the secret. Hitherto silent and sullen, Hiraman suddenly burst forth into a fierce passion, and before the courtiers could intervene, killed the king, and then killed himself. So perished Bir Shah, one of the bravest and best of the Gond kings of Chanda. And to mark the deep sense of loss at his tragic death, the noblest of all the tombs in Chanda was raised over his grave, close to the temple of Achaleshwar.

1691 AD - 1735 A.D - Ram Shah
Famous for wisdom and uprightness was Ram Shah, one of the last kings of Chanda, that it is reported of him that when Raghuji Bhonsla, the Maratha leader, visited Chanda, with a view to seeking a pretext for a quarrel, he ended his visit by almost worshipping him as a god. " Well would it have been, so Canon Wood writes in his article on Chanda, 'if the fast failing thread of the Gond rule had been severed at Ram Shah's death."

1735 AD - 1751 A.D - Neelkanth Shah
For Ram Shah's son and successor, Nilkanth Shah, was an evil and cruel ruler, who dismissed his father's most trustworthy councillors, ground down his subjects, and interfered foolishly and needlessly in the political disputes of Deogarh. And all the time the Maratha foe was but waiting for his opportunity, and when he again approached the gates of the royal city of Chanda, it was not by force of arms, but by the treachery of a discontented people, that he triumphed.

1751: Nilkanth Shah tries to throw off the power held by Raghuji Bhosale over the Gonds, but is defeated. The Gonds are forced to accepted the overlordship of Raghuji Bhosale, Maratha ruler of Nagpur, and are reduced to holding just Ballarshah, while Chandrapur is annexed by Raghuji Bhosale. Nilkanth Shah makes an attempt at rebellion but is imprisoned, ending the Gond dynasty of Chandrapur. Chandrapur becomes fully part of the Berar dominion of the Maratha Bhosales.

Certainly the achievements of the southern house of Gondwana were quite remarkable. "Originally but petty chiefs of a savage tribe, they spread their kingdom over a wide stretch of country, reclaiming much of the forest land, peopling them with a prosperous people and keeping their country free from the foreign invader. And when at length they passed away, they left a well-governed kingdom, prosperous to a point which has not since been reached.

Gonds built 21 forts at Chennur, Asifabad, Laksettipet, Bodh, Adilabad, Utnoor, Sirpur, Tandur, Manikghar, Ballaharsha, Chandrapur, Yatmaz, Nirmal, Jakut and Khanapur. The ruins of these forts can be seen today at many places.

At least 20 garhis or minor forts dot the expansive tribal heartland of Adilabad,Komaram Bheem Asifabad,Mancherial and Nirmal (all constituting old Adilabad).

Among the must-visit garhis are the one at Sirpur (T) where only the main gate of the fort stands today and some of its innards.


https://archive.org/stream/storygondwana00tempgoog/storygondwana00tempgoog_djvu.txt


https://www.boloji.com/articles/51513/raj-gonds-of-adilabad-a-study
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Mesolithic paintings of Mancherial

Mesolithic cave paintings found in Thaatimattayya hills of Buggagattu forest in Mancherial district of Telangana State.

Historian Dr Dyavanapalli Satyanarayana has claimed that he explored the site in the Buggagattu forest area with the help of the local Naikpod tribes.
He said cave paintings at Thaatimattayya are dated to be 13,000 years B.P. According to Satyanarayana, he came across the ten types of paintings drawn in five colours.

Dr Satyanarayana said ‘even today families of Naikpod worship the ‘Thaatimatayyah’ or Thaadu which means palm tree. One of the most striking features of the cave paintings is the drawings of perfect circles. 

It seems that the prehistoric artist had used geometric measurements to draw the circles. The circles represented human heads, womb/vagina, flying saucers, dumbbells/tool kits, sun and moon discs.

The Mesolithic Age people inserted the small chips of chert stone (one-inch long and centimeter width) in the full cleavage of fist fit logs to make knives, sickles, etc. sharp implements, in between 8,500 B.C. to 3,000 B.C. 

It also appears that the caves were inhabited the people during the subsequent ages – Neolithic and Megalithic – as it is revealed by the human paintings with metal weapons and physical grinding stones, the historian concludes.

The prehistoric paintings were drawn at five places on the sand rock walls of the 50 yard long cave. The first space has only one petroglyph of an ox engraved in one foot length. The second and third spaces are the main chittaruvulu on which several tens of red ocher paintings were drawn.

The most important paintings of the spaces include the animals – horned bulls in rows, deer, antelopes, porcupine, and big lizard (Udumu). Some men were depicted as controlling the oxen with weapons.

The paintings also include a priest with thick red ochre halo around his head. Similar painting is also found nearby but in fainted red color.

The Naikpod tribals of the region, who invoke the deity Chittarayya for three days in every three years, call the priests as tappeta goollu (big dappulu in Telugu). The fourth and fifth spaces are expressing only fainted red ochre oxen, the historian explains.

But unfortunately most of the prehistoric paintings depicted on its wall spaces have been dimmed due to the recent distilleries cooked here for illegal liquor. 

Only a half-foot long ox figure in red ochre color at one place and a foot-long ox in white color at another place are clearly visible on the 30 feet-long wall space of the cave.

But there appears every possibility to retrieve several paintings by way of scientific / expert chemical cleaning of the cave wall, he said.

With regard to the corroborative evidences of the paintings fortunately one can find hundreds of microliths in front of the caves. 

Renowned historian Dr Dyavanapalli Satyanarayana found these sites near in the Buggagattu forests located at a distance of some 10 km from the district headquarters.

According to Dr Dyavanapalli Satyanarayana, the first cave is locally called Chittarayya Gundu is oriented towards northward and located at a distance of one kilo meter from the Buggagattu Anjaneyasvami temple in its north western corner.

While explaining about the second cave, Dr Dyavanapalli Satyanarayana said that Paatha Chittarayya Gundu, which is located in the deep forests at a distance of two kilometers from the first cave has projection towards northward is more than the first cave and hence it seems to have provided more safe accommodation to the humans.

Since the cave painting sites are located in a distance of ten km drive from the District Headquarters Mancherial the Government may develop the sites as historical and adventurous tourist sites so as to protect the rare and rich heritage of Telangana, Dr Dyavanapalli Satyanarayana appeals.


https://www.deccanchronicle.com/nation/current-affairs/221017/13000-year-old-cave-paintings-found-in-thaatimattayyah-hills.html

http://www.thehansindia.com/posts/index/Khammam-Tab/2017-01-11/Mesolithic-paintings-found-near-Mancherial/273074


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Gandhari Fort, Temple & Jatara

Gandhari Fort / Gandhari Khilla (Gandhari Kota) is a hill fort located near Bokkalagutta, in Mandamarri Mandal in Mancherial district, Telangana, India.

The Gandhari Fort is believed to have been built by tribal kings who ruled over this region, by taking assistance from Kakatiya rulers, some 1,000 years ago. It houses the ancient temple of Maisamma. Similarly, it contains idols of Kala Bhairava Swamy, Lord Siva, Lord Ganesh and Hanuman, idols carved out of rocks.

Archaeological work suggests that construction of the fort was begun early as the Rastrakuta era (prior to 1200 A.D.) and continued until 16th century.
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Mancherial

Revenue divisions : 2 (Mancherial and Bellampally)
Mandals           : 18 
Population        : 807,037
Area (km2)        : 4,056.36
Literacy          : 64%
Highways          : NH 63, SH1
Rivers            : Godavari, Pranhita
Collector         : Sri R.V.Karnan, IAS (2012)
M.L.A             : Diwakar Rao Nadipelli, Durgam Chinnaiah, Ajmeera Rekha

Mancherial is previously called as "GARMILLA". Mancherial is known for its commercial activity and coal belt, the newly-carved district situated in the north bank of the Godavari.

The Godavari separates Mancherial and Jagityal district
The Godavari separates Mancherial and Jagityal districters are described as the lifelines of the district. The Yellampalli reservoir quenches the thirst of Mancherial, Luxettipet and Dandepalli mandals besides meeting the irrigation needs. 

The quarry at Gadpu, Gandhari Garden at Mandamarri, twin streams at Bhimaram, the Godavari river flowing towards north and a series of seven tanks built by the erstwhile Nizam are some of the tourist attractions that lend beauty to the district’s landscape.

Natural Resources
Coal, LimestoneJannaram Forest, Godvari and Pranahita Rivers.

Irriagtion
Yellampally Irrigation
Gudem Lift Irrigation
Kadem Dam

Industries
Singareni Collieries Company Limited or SCCL

  • Mancherial Coal Mines
  • Jaipur Power Plant

Mancherial Cement Company

Transportation

Road: Mancherial is well connected by road from various major parts of India like Adilabad, Karimnagar, Warangal, Nizamabad, Hyderabad, Guntur, Vijayawada, Nagpur, Shirdi. 
NH 563
NH 63
SH 1

Rail: Mancherial railway station is located on the one of the biggest railway line in India (New Delhi-Chennai ). It is well connected by rail from various metro cities in India.

Air: Nearest Airport to the Mancherail is Hyderabad International airport Rajiv Gandhi International Airport (250km by road, 3hrs of journey by train(AP Exp). There is also one proposal to construct new airport at Basanth nagar(ramagundam) which is 20-30 km from Mancherial. Once it is operational, it could be the nearest airport.


Tourism
Yellampalli reservoir
Kawal Tiger Sanctuary
Shivaram Wildlife Sanctuary
Gundala Waterfalls 
Manchukondalu Waterfall
Alugubanda
Jannaram Deer Park
Gandhari Garden at Bokkalagutta in Mandamarri mandal

CSI Church 
at Modala in Luxettipet
Amba Agasteswara Temple and Lord Jagannath Temple at Chennur
Satyanarayana Temple at Gudem in Dandepalli mandal
Ayyappa Swamy Temple 
Saibaba Temple at Gudemgutta 

People

Dulam Satyanarayana

From Mancherial to Portugal, a trip to glory !

At the age of five years, he lost his father and from then on, the job of bringing him up was left to his mother, who sold and still sells tea at the railway station in Mancherial, in erstwhile Adilabad district.

Dulam Satyanarayana received the biggest gift of his life in the year 2016, when his film Welcome to Telangana , promoting film locations in the State showed in 3 minutes, the natural splendour that the State had. Invited by ART & AMP, TUR International Film Festival for its competition, the film was awarded the Best Tourism Film at Portugal.

Well, for most of his life, this 30-year-old has spent watching movies, cricket and reading whatever books he could lay his hands on.

He spent four years after his Intermediate education, preparing unsuccessfully to get into the Indian Institute of Technology. He then moved to Chennai and studied engineering at Anna University.

He bunked college again, watching DVDs that he bought at Burma College in Chennai. “I must have watched over a 1,000 movies over two years and it was during that period that my perspective changed. “I wanted to be a filmmaker. In 2008, I made short film on Moushuni, a tiny island in the Sunderbans and a village that did not have electricity,” he says.

It was in the year 2010 when he made a documentary film on fluorosis in Nalgonda district that drew the spotlight on him. It led to the Government of unified Andhra Pradesh taking up a protected water supply scheme for 25 villages . It did not end there.

The United States Department of State offered him a scholarship in 2011 to study at the Scottsdale School of Film and Theatre at Arizona.

He made about a dozen short films, before being spotted by the powers-that-be in the Telangana government, post June, 2014 and was asked to make short films on the government’s flagship programmes including the green ‘Haritha Haaram’ and on Mission Bhageeratha.

Satyanarayana’s short film Welcome to Telangana awarded Best Tourism Film at Portugal


Mandals (18)
Mancherial Revenue Division  (11)

  • Chennur
  • Jaipur
  • Bheemaram (new) 
  • Kotapally 
  • Luxettipet 
  • Mancherial 
  • Naspur (new) 
  • Hajipur (new) 
  • Mandamarri 
  • Dandepally 
  • Jannaram
Bellampally Revenue Division (7)

  • Kasipet 
  • Bellampally 
  • Vemanpally 
  • Nennel
  • Tandur
  • Bheemini
  • Kannepally (new)


http://www.thehindu.com/news/cities/Hyderabad/from-mancherial-to-portugal-a-trip-to-glory/article9260125.ece


http://www.thehansindia.com/posts/index/Telangana/2016-11-10/Mesmerising-Mancherial-lures-day-trippers-pilgrims/263327

http://mancheriyal.blogspot.com

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