Armoor Rock Formations

Armoor or Armur is a town located in Nizamabad District in Telangana State. Armoor is situated on NH-44 (Hyderabad-Nagpur section) and NH-16 (Nizamabad-Jagdalpur section).

Armoor is a natural stopover for the traffic on the highway. This site boasts of hillock of boulders, resultant of natural weathering over 1.45 billion years. 

Navanatha Siddeswara Temple is sited on top of the hill. According to the folklores, Navanathas or Siddhas (revered sages) still reside in the natural caves of these hillocks. A gorge nearby is believed to have curative properties in its waters.

Hillocks with unusual rock formations known as Armoor Rock Formation, located on the NH-16, are the biggest draw here. The rock formations are a result of natural weathering of the rocks over millions of years. It seems as if nature is revealing its artistic expression with these unique rock formations.

Also known as Navanathapuram, Armoor is known as an agricultural town. It is famous for its huge turmeric cultivation and commercial seeds like sorghum and pearl millet.


Operating Hours: Mon-Sun : 09:00 AM - 05:00 PM

Address:Armoor, Nizamabad, Telangana.

Period Built:Formed 1.45 Billion Years Ago

Art Forms:Natural Formation

Entry Fee:Rs. 25/-

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Nirmal Rural Tourism

Nirmal is a city and the district headquarters of Nirmal district in the Indian state of Telangana. It is famed for its toys made out of wood. Nirmal paintings and Nirmal Toys (Wooden Handicrafts) and Nirmal Furniture are named after the town of Nirmal in Telangana.

Geographical Indication (GI) tag

Nirmal Toys and Crafts and Nirmal Furniture got Geographical Indication (GI) tag in 2009

Nirmal town in Telangana has always been considered as the gifted land related to art and crafts. The art community of craftsmen in this town are called as ‘Naqash’ and they have made this region, quite famous for the Nirmal paintings. The paintings capture rustic ethos to splendid royal environment, and right from flora to fauna, there are an explicit array of beautiful expressions which are portrayed in myriad colours and attractive forms on Nirmal products.

This town is very acclaimed for the Nirmal artistic creations and toys. From the natural ethos to the regal condition, from verdure to fauna, an unequivocal exhibit of articulations is depicted in horde hues and structures on Nirmal items.

Nirmal town has gotten interchangeable with lovely artistic creation everywhere throughout the world and involves pride for Telangana. Nirmal artists additionally make lacquered furniture, boxes, bowls, huge screens, plate, toys, and pictures, which are painted with artfulness and meticulousness.

Frames, shields and corporate gifts, nameplates, utility things create the scope of items.There are artworks done even on the entryway, divider embellishment and so on.The artistic creations are skilled as gifts and are considered as glad belongings by admirers of craftsmanship and workmanship authorities.

Painters and experts from all over India visit Nirmal to purchase these works of art, as well as exploring the procedure wherein the artworks, are done, directly from the readiness of the solicit to the extraction of natural hues and style of painting.

Most of the Nirmal Paintings consist of traditional art scenes drawn from the Hindu epics of Ramayana and Mahabharata, influenced by other schools of art from earlier times like Kangra, Ajanta and also Mughal miniatures. This art form received great patronage during the Mughals and the Nizams too. There are many colours used in Nirmal Paintings, and most of them are derived from natural sources. The motifs used are quite popular with attractive finish on the canvass. Birds are depicted very attractively and the world-class export quality of these paintings has earned wide recognition and rewards. Lepakshi Handicrafts offers Nirmal paintings at reasonable prices. These are ideal to decorate your drawing rooms and they can also be gifted as cherished souvenirs.

The evolution of this Nirmal art and craft can be traced back to old days of Kakatiya dynasty. This craft is a form of lacquered woodwork that was born in Nirmal town and since then, this art has remained an attraction through all these ages and now days it is made both in Nirmal town and Hyderabad. The motifs used are frescoes from Ellora and Ajanta and Mughal miniatures, and floral designs

During all these years, Nirmal work has evolved to cater to the new needs. Besides the wall hangings, Nirmal craftsmen also crafted exquisite lacquered furniture, large screens, boxes, bowls, trays, toys, and pictures. Assortments of decorative and utilitarian articles are crafted in Nirmal art style. 

The master craftespersons of Nirmal originally made gold colour from the juices of herbs. The paintings are in gold on dark backgrounds and are remarkably attractive. Popular items include jewellery and ornament boxes made of poniki wood, food tray covers, playing cards, ganjifa boxes and many more items. A large variety of products, wall plaques, furniture, screens, panels, , bowls, lamp stands trinket boxes, and ashtrays, are made.

Nirmal toys are copies of natural forms and artists only make animals and birds. Poniki wood is used for small products and teak wood for larger items. Wall plaques with painted flying birds are also common, as are brightly colored depictions of fruits, vegetables, and animals.

Creation of Nirmal Paintings

The technique involves lacquering the wood surface and then painting the precise design. The conventional designs can be traced and drawn in chalk on any composition board or smoothened wood and then painted in bright and flat colors while are often touched up with gold and finally varnished.

The organic colors used are made from herbs, gums, and minerals. The gold which is found in this work is extracted from herbal juices. The Painting of mughal miniatures on white wood ponki is very attractive. As these items age, they acquire an exquisite muted glow which is simply impeccable. 

Tella Poniki tree
In initial days, white wood of Tella Poniki tree was utilized as a painted board for painting, which is fascinatingly exceptional.With changes over numerous years, the craftsmen acquainted Indian teak wood due with its delicate grain surface, quality, and lightweight and life quality.mConventional structures are followed or attracted chalk on smoothened wood or creation board and are painted in level, splendid hues and frequently finished up with gold and afterwards stained. When the artistic creations are finished, clear splash is utilized on the frames for water opposition and radiance.The Nirmal painting of Mughal miniatures is profoundly alluring.With maturing, they obtain an exceptional quieted shine that is viewed as perfect.

Tools and Raw Materials

1. Teak wood is used to create a frame of the painting.
2. Oil paints for adding the colour to the painting.
3. Paintbrushes as a tool to fill colour to the painting.
4. Spray paints to be used after the painting is finished as protection from the water and to add shine.
5. Varnish spray for a glossy effect.
6. Luppa paints to prevent colour absorption when oil paint has been used on the surface of the wood.
7. Enamel paints replaced natural paints.
8. Wood sheets of different sizes in the form of base planks.
9. Drilling machine to drill the holes.
10. Cutting machine to cut big pieces into small.

Procedure

1. Initially, the wood is cut into the required size and a rectangular casing is made. 
2. The casing is smoothened utilizing sandpaper. The edge is additionally covered with a few layers of Luppam paint.
3. Luppam Paint (NC Patti) is covered on the rectangular moulded wood load up for around 5 to multiple times.
4. This paint assimilates the dampness from the wood and causes the wood to keep going for a long time.
5. In the wake of applying Luppam paint, different hues are utilized for painting the foundation.
6. At long last, the readied wooden board is joined to the edge.
7. As a rule, the board sizes are of 8/11, 17/11 and 24/16 measurements.

How is the frame prepared

1. Prior to painting, the craftsmen create a frame of various sizes according to the assessed size of conclusive paint to be painted.
2. Luppa Paint (NC Patti) is covered on the wood board that is of the rectangular shape around 5 to multiple times.
3. This paint retains the dampness from the wood and causes the wood to keep going for long. 
4. Post application of Luppa paint dark paint is sprayed for the foundation.
5. Initially, the wood is cut into the required size and a rectangular frame is made.
6. The frame is smoothened utilizing sandpaper.
7. The casing is additionally covered with a few layers of Luppa paint.

Nirmal toys are made from extract of herbs which provides them with a golden sheen. They are generally models of human occupations, fruits, and animals. There are many similarities amid the Kondapally and Nirmal toys as they are made from the same kind of wood during their manufacturing process.
But the Kondapally toys are generally coated with plain water colors whereas the Nirmal toys are particularly embellished with oil paints. Both these kinds of toys are treated with special tamarind paste in the primary stage before they are painted.

The prominent difference amid these is that after treating, the complete Nirmal toy is covered with fabric, rather than lime blue which are used for Kondapally toys.

Where to Shop in Hyderabad
Lepakshi Handicraft Emporium situated in Gun Foundry of Hyderabad and Minerva Complex on S.D. Road of Secunderabad.

Kalanjali Arts and Crafts Nampally in Hyderabad

The crafts museum Calcutta emporium which lies behind the lepakshi gun foundry in Hyderabad

Central cottage industries emporium in Minerva complex, on S.D. road in Secunderabad.

Cauvery Karnataka state Arts and Crafts emporium which lies in the seven hills plaza on S.D. Road Secunderabad.





https://hindikrafts.com/nirmal-painting/

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Alampur Jogulamba Temple

Alampur is a temple town situated on the left bank of the Tungabhadra river in Jogulamba Gadwal district, in the Indian state of Telangana. Alampur is the meeting point of the sacred rivers Tungabhadra and Krishna and is referred to as Dakshina Kashi (also known as Navabrahmeshwara Theertha) and the Western Gateway of Srisailam, the famous Shaivite (Shaivism) pilgrim centre. It is surrounded by the Nallamala hills.  It is also said that Brahma had performed a great penance at today’s Alampur for thousands of years, and he pleased Lord Siva who conferred the powers of creation for him. Hence, the deity is also called Brahmeswara and the goddess as Yogini or Jogulamba, a synonym for mother Parvathi.

The principal deities at the Jogulamba temple are Jogulamba and Balabrahmeshwara. Goddess Jogulamba is considered the 5th Shakti Peeta among 18 shakti peetams in the country. It is believed that upper jaw with tooth of Sati fell here at this place. The mythology of Daksha yaga and Sati's self immolation is the story of origin of Shakti Peethas. Here Goddess Jogulamba is seen seated on the Corpse with scorpion, frog, and lizard on the head. She is seen in a naked avtar with her tongue stretched outside, an avtar of fierce goddess that grants Siddhi in Yoga and hence called Jogulamba. This word is a changed form of Yogula Amma in Telugu which means Mother of Yogis.

The popular temple stands as a testimony to Chalukya Art and Culture. Alampur was under the rule of Shatavahana Ishvakus of Nagarjunakonda, Badami Chalukyas, Rashtrakutas, Kalyani Chalukyas, Kakatiyas, Vijayanagara Empire and Qutb Shahis of Golconda. Alampur was previously known as Halampuram, Hamalapuram And Alampuram. Under the name Hatampura, it was mentioned in the inscription dated AD 1101 and belongs to Western Chalukya Tribhuvanamalla Vikramaditya VI. Another inscription mentions construction of the temple by Vinayaditya Chalukya (680 – 696 C.E.)

The Alampur Navabhrama Temples are historically important and reflect remarkable architectural skills. The Alampur temples are listed as an archaeological and architectural treasure on the official “List of Monuments” prepared by the Archaeological Survey of India under The Ancient Monuments and Archaeological Sites and Remains Act. Since the original area of the temples at Alampur became submerged by the Srisailam Hydro-electric Project, the temples were relocated to higher ground. The uniqueness of this group of temples lies in their plan and design in the northern architectural style introduced by the Chalukyas of Badami between AD 650 and 750.

The original temple was completely destroyed by Bahamani rulers in 1390 AD. The invaders were killed after a fierce battle with the localities. Jogulamba Devi along with her two Shakthis – Chandi and Mundi was then moved to nearby Bala Brahmeswar temple until 2005. The temple is a mine of historical sources. It has about 70 Copper plates and stone inscriptions relating to several dynasties that ruled South India from 7th to 17th century. Jogulamba temple has been reconstructed after 615 years. Sanskrit scholar, historian and epigraphist Sri Gadiyaram Ramakrishna Sarma attributes the delay in reconstruction of the temple to the political uncertainty which prevailed during the medieval period.

Shakti Peethas are shrines which are the most divine seats of the Mother Goddess. The body parts of the corpse of Sati Devi has fallen in these places, when Lord Shiva carried it and wandered throughout Aryavartha in sorrow. There are 51 Shakti Peeth linking to the 51 alphabets in Sanskrit.

Navabhramma temples in Alampur

Alampur is the home of very ancient Navabhramma temples dating back to the 7th century CE.

The Nava Bhramma temples were built by the Badami Chalukyas, who ruled for about 200 years from the middle of the sixth century onwards. The Badami Chalukyas built several temples in Karnataka, and the Alampur temples in Andhra Pradesh.The Alampur site preserves archeological remains in the form of temples exhibiting a hybrid style of architecture – dating back to the 6th-7th centuries CE. Some of the images from this site are also housed in a museum nearby.

The Nava Bhramma temples are Taraka Bhramma, Swarga Bhramma, Padma Bhramma, Bala Bhramma, Garuda Bhramma, Kumara Bhramma, Arka Bhramma, Vira Bhramma and the Vishwa Bhramma. These temples are all enclosed in a courtyard on the left bank of the river Tungabhadra.

The Bala Bhramma temple is the principal shrine of worship. It dates back to the year 702 CE – per the inscriptions seen here. Shivaratri is celebrated in great splendour here.

Swarga Brahma temple was built during 681-696 AD by Lokaditya Ela Arasa in honour of the queen of Vinayaditya, it is mentioned in an inscription found above the Dwarapalaka image. It is the finest example of Badami Chalukya Architecture and sculpture. This temple is the most elaborately ornamented temple. Temple with an imposing tower (Rekhanagara vimana) is the finest compared to other temples at Alampur.

The Taraka Bhramma temple is partly in ruins, and it has no image in the sanctum. It bears telugu inscriptions from the 6th-7th century CE. The Swarga Bhramma temple with an imposing tower is considered to be among the finest in Alampur, and is an excellent specimen of Chalukyan architecture and sculpture. It contains several sculptures in bas relief, and it dates back to the end of the 8th century.

Padma Bhramma temple temple partly in ruins, contains a Shivalingam of clear stone with mirror like finish. The Viswa Bhramma temple is among the most artistic of the Nava Bhramma temples. The sculptural work here depicts scenes from the epics. 

Temple Timings
On all days of the week
7.00 am to 1.00 pm
2.00pm to 8.30pm

https://gadwal.telangana.gov.in/tourist-place/jogulamba-devi/

https://www.religionworld.in/astadasa-shakti-peetham-jogulamba-devi-alampur/

https://www.hyderabadzone.com/attractions/weekend-getaways/alampur-jogulamba-temple.html
https://en.wikipedia.org/wiki/Alampur,_Mahbubnagar

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Mallela Theertham Waterfalls

Mallelatheertham is the natural water fall in Nallamala Forests. All

around highest mountains and thick forests adds to beauty of the nature. Mallela Theertham Waterfall located about 9 Kms away from Vatuvarlapalli village, 8 kms off the Hyderabad-Srisailam highway and at a distance of nearly 140 km from Hyderabad in Nallamalla Forest. 

Deep within the thick deciduous forest lays the Mallela Theertham. The bumpy road and 250 muddy steps lead you down the valley to reach the waterfalls. This place is perfect for picnicking and bathing. The water from tiny stream gushes down the falls and flows through dense forest and finally mixes with Krishna RiverThe state of Telangana has many wildlife destinations located in pristine forests. One among them is Mallela Theertham, which is located 8 kms off the Hyderabad-Srisailam highway and at a distance of nearly 140 km from Hyderabad in Nallamalla Forest. The region is a pristine tourist spot.

The Krishna River flows close by here in the forests of Mahabubnagar district in the state of Telangana. Mallela Theertham is quite popular for its beautiful nature and breathtaking waterfalls where the water cascades down from a height of 150 feet. It is located in the midst of the dense forest region. A series of descending steps provides access to this waterfall. It is believed that the water here carries many herbs from the deep forest, with the ability to cure several skin diseases.

The major attraction here is the 150-feet high waterfalls. With dense forest around, the picturesque waterfalls offers an amazing sight. The dense foliage including rocky hills also makes Mallela Theertham an ideal destination for trekking. For tourists who prefer adventure trips, spending time at the nature’s haven of Mallela Theertham offers a worthwhile experience.

According to local legend, several sages had performed penance to Lord Shiva in ancient times while large congregations of devotees attend the Maha Shivaratri Festival at this spot. The best time to visit this place is from October to February. The high mountains in the surrounding region and thick forest cover lend a unique beauty to this place, which is bestowed immensely by nature. From Mallela Theertham, Srisailam is at a distance of 40-50 km.
http://www.telanganatourism.gov.in/blog/mallela-theertham.html

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Ekaveera Devi temple

The Ekaveera Devi temple located in Mogilichral, Geesugonda Mandal, Warangal was greatly patronised by the Kakatiya kings, is now in state of neglect. Perhaps the only one of its kind in the region, the rulers used to offer prayers at the temple everyday, particularly the great queen Rani Rudrama, according to local lore.

Located 12 kilometres from the Warangal district headquarters, the Ekaveera Devi temple is situated on the banks of a tank in Mogilicherla village. It was built during 1156-1196 AD and Kakatiya kings used to offer prayers daily till the empire collapsed. It was also said that Rani Rudrama was ambushed here at this temple by her opponents.

The Kakatiyas had greatly patronised temples. They also built tanks adjacent to temples where habitations too came up sustaining on the tank. Similarly, in Mogilicherla village too, the Kakatiya kings built a sprawling tank. Adjoining to the tank grew the thick bushes of Garden Marigold or Telugu Mogili Chettu. The village derived its name from it and came to be known as ‘Mogilicherla’.

The lone idol of the presiding deity Ekaveera Devi is missing and all other idols lie scattered and mutilated. With rumours of a hidden treasure abuzz, treasure hunters have plundered the temple time and again since ages.

In the absence of proper monitoring, some unidentified miscreants bombed the whole area about a decade ago shattering the wilderness and the aura around the monuments.

There was an open well constructed beautifully with rocks about a furlong from the temple which was supposedly used by visiting dignitaries of the Kakatiya kingdom in those days. Now, it lay in a dilapidated state and a haven for vagabonds and anti-social elements.

Resource Category: Cultural significance 

Location: Mogilicherla Village
Date of construction: 13th century 

Property use: abandoned 

Accessibility: the village is accessible by road, the temple is not accessible, there is no proper way leading into the fields where the temple is located.

Ownership: ASI

Drinking water and toilet: Not available

Security: No security.
Parking: No vehicular road to the temple.

Maintenance: No maintenance.

http://www.thehindu.com/todays-paper/tp-national/ancient-ekaveera-devi-temple-in-ruins/article3709839.ece

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Mettugutta Temple

Mettu Gutta (Rocksteps Hill) is a famous Hindu temple that is located in Madikonda. This place is also Known as Manigiri. The Linga in this temple has many similarities with Varanasi Visveswara.

There are two temples on Mettu gutta. One temple is for Lord Shiva and other one is for Lord Sri Ram.

Local people call this temple as Mettu Rama Lingeshwara swamy temple.

Siva temple is constructed during the kaktiya regime. The temple is located on a hillock, there many small water bodies located with in the area, there are various rock formation which can be found near the site, which have very important significance.

There are evidences that this temple is famous as early Vengi Chalukya dynasty period. Kings of Kakathiya dynasty established a fort in this place and build many temples in this hill during 1198 AD. There are is also a historical temple for Lord Sri Rama in this hill.

Here the linga has emerged from ground in 45 degree angle and still raisin. The mountain top temple has a road , and has 7 water springs which carry patala ganga and is belived that is connected to nearest shiva keshtras, one is belived to be 100 km long till the famous ramappa temple.

Lord Shiva blessed as Siddeswaramurthy to Mandavya, Madreechi, Sandilaya and other nine Rishis for their severe penance to get rains to this drought area. There 9 tanks or gundaalu resembling penance 9 Rishis. People believe, water in eye shaped gundam is equivalent to scared Ganges in Varanasi.

Another Legend says Lord Rama paid a darshan to this temple along with Goddess Sita when he came to Badrachalam area.

A story says, Bhima also visited this temple and Bhima's wife Hidimbi played Gacchikayalu with small rocks here, we can see two columns of these rocks even now. Measuring around 165 ft, one column of the rocks has 5 rocks and other has 4 rocks. Local people call these rocks columns as Dhomtalamma gundlu. There are footprints of beleived to be of Bhima at this hill temple.

Poet Vanamalai varadhacharyulu prayed for Goddess Saraswati and done a Vagiswari upasana for around 4o days. Pleased by his Seva Goddess Saraswati blessed him to write Bhagavatam in Telugu to become Pothana later.


Resource Category: Natural asset and cultural significance

Location: kazipet
Date of construction: 12th century Property use: In use

Accessibility: It is easily accessible by road and located on to the main road connect- ing Hyderabad, at the entrance of the city.

Ownership: Endowment dept (State Govt.)

City HRIDAY Plan - Warangal

Security: The lake front is well protected.



Parking: Parking space available but is insufficient
Maintenance: Poor
Entry charges: No entry fee

Drinking water and toilet: The drinking water and toilet facilities are inadequate.

Security: Available. No proper illumination for roads.

Parking: Parking space is available but it is insuf- ficient and is not properly designed.

Maintenance : Poor
Entry charges: no entry fee


http://www.templedarshan.in/mettu-rama-lingeshwara-swamy-temple-madikonda-warangal-telangana/

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Kondagattu Temple

At a distance of 2 km from Kondagattu Bus Stand, 14 km from Jagityal Bus Station, 39 km from Karimnagar and 178 km from Hyderabad, Sri Anjaneya Swamy temple located in Muthyampet Village , Mallial Mandalof Jagitial district is one of the famous temples in Telangana.

Situated on a Kondagattu hillock amidst beautiful hills, valleys and refreshing water springs, this is dedicated to Lord Hanuman. This Temple is decorated with sculptures of Gods and Goddesses on its facades and walls. The temple besides the main deity of Anjaneya Swamy also has the idols of Lord Venkateswara, Goddess Alwaar and Sri Laxmi. Here one can see the life statue of Lord Anjaneya. Stairs have been provided to help visitors go up to view the statue from close quarters.

According to local legend, about 300 years ago a farmer Singam sanjeevudu after losing one of his buffalos, came to this hillock searching for it and slept here. Lord Anjaneya came into his dream and told him the whereabouts of his buffalo. As he woke up and looking around the hillock, he found an illuminating idol of Anjaneya. He then built a small temple for the lord at current location. The present structure was built by Krishna Rao Deshmukh in the middle of 20th century.

The devotees believe that people who do not have children will be blessed by offering 40 day prayers to Lord Anjaneya Swamy. Hanuman Jayanti is the main festival celebrated here. Many devotees perform Hanuman Deeksha for a period of 41 days during Hanuman Jayanthi and visit Kondagattu Hanuman Temple by walk. It is beleived that more than 4 lakh people visit this Temple during Hanuman Jayanthi.

The Kondalaraya Fort and Bojjapotana caves near Kondagattu can be visited along with this place.

Timings: 4 AM to 8.30 PM.

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Nampally Gutta Temple

At a distance of 2 km from Nampally Bus Stop, 4.5 km from Vemulawada Bus Stand & 32 km from Karimnagar, Lakshmi Narasimha Swamy Temple is situated at Nampally Gutta. 

The temple is nestled on a small hillock on the Vemulawada - Karimnagar highway. It is a small shrine dedicated to Lord Lakshmi Narasimha, an incarnation of Lord Vishnu. The idol was carved out of the rock around which the temple was built. The visitors have to walk a few hundred steps that lead to the top from nearest the parking area at bottom. The climb is little steep may take up to 15 minutes.
One the way to the Narasimha temple, there is a temple for Naga

Devatha. The temple was built in a model of Snake. Visitors can enter the shrine through the snake's belly - a long, winding tunnel. There are statues depicting the story of Prahalada and Hiranyakasipu. At the end of the tunnel, the statue of Lord Narasimha killing the demon Hiranyakasipu is present. There are also a few ancient idols of Naga Devatha. At the entrance of the temple, one can find a statue of Lord Narasimha breaking his way out of a pillar.

Timings: 9 AM to 5:30 PM

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Bhuvanagiri or Bhongir Fort

Bhuvanagiri, popularly known as ‘ Bhongir ‘ stands tall at 609 metrs above sea level. An isolated monolithic rock which has a uniquely egg-shaped hump. There is a fort with two-entry points and protected by huge rocks.

Bhongir Fort was built by the Western Chalukya ruler, Tri-bhuvana-malla Vikramaditya VI in 10th century on a single rocky hill in Bhongir with a single monolithic rock and was named as Tribhuvanagiri. But later the name was modified into Bhuvanagiri and now presently called as Bhongir. It is about 48 kilometres from Hyderabad and located in Nalgonda district. The fort is spread over 40 acres of land and is 500 feet high on a hill. Bhongir is famous for its Beetle Leaves, Pottery and textiles.

Talking about the fort, it has a unique egg-shaped construction with heavy rocks covering the two entry points where the soldiers were always ready to attack when enemy invades. A moat encircles the fort and the palace itself has a huge underground chamber, an armoury, stables, and trap doors, among others. These all can be viewed until today which grasps the visitor attention. The old steps from bottom to top of the hill are not damaged and can have thrilling experience by climbing this hill and even can have excellent view of the surrounding areas from top of the hill. There is Hanuman Temple as well as ponds on the hill. There is a talk from past that it has an underground way to the Golconda Fort which is not proved until now.

Bhongir Fort was attacked by many kings but they were unable to claim the fort, but it was finally conquered by the Bahmani Sultans in 15th century with the help of gunpowder, cannons. They modified the fort into Islamic style and were hosted by local governor and made a prison for Qutub Shahi throne pretenders. As the ages are passing the fort just lost its significance and got damaged which was not renovated since 18th century and is still in the same manner until now.The fort was built in the 10th century by the Western Chalukya Ruler Tribhuvanamalla Vikramaditya VI in the year 1076 AD. It was thus named as Tribhuvanagiri and as time passed by its name was transformed as ‘ Bhongir ‘ as called in the present.

The splendid fort on the awe-inspiring rock, the stone boundary wall, the steps through the granite archways and the crumbling stucco ruins of that age still adorns the place. The aesthetically fortified courtsand thier ruins still intact prove that they have stood the ravages of time.

During the 15th Century the fort was ceded to the bahamani sultans and later taken over by The Qutb Shahis

They used the fort as a penitentiary for those who aspired to filch their throne.

Rock Climbing School

Rock Climbing School, Bhongir established by Telangana Tourism, Govt of Telangana in association with Transcend Adventure at Bhongir, Nalgonda district, Telangana.

It was inaugurated on 6th September 2013 by Principal Secretary, Department of Tourism in presence of officials from Tourism and Archeology departments.

The specially designed courses are not only helping in developing all round personality but also increase initiative and risk taking capacity and encourage critical thinking.

Rock Climbing School, Bhongir provides innovative technical and educational content to all levels of climbing community and teaches best practices of climbing that improve the safety.

Training at Rock Climbing School, Bhongir will help to refine one’s traditional climbing skills through extensive hands-on field work and supervised structured practice.

http://www.telanganatourism.gov.in/partials/destinations/adventure-journeys/nalgonda/bhongir-adventure.html

http://www.journeyplanner.co.in/tour/bhongir-fort/#.V2Xgl84-DVo

http://www.transadventures.com/rock-climbing-school-bhongir/

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Kotagullu or Ghanpur Temples

Ghanapuram in Jayashankar Bhupalpally district of Telangana is known for Kakatiya architecture and art. The temple complex is located on the north east corner of Ghanpur village in Mulugu mandal of Jayashankar Bhupalpally district. Ghanapuram village is located nearly 50 km from the district headquarters of Warangal and is accessible by road.

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Ananthagiri Hills (Vikarabad)

Ananthagiri Hills are about 90 kilometers from Hyderabad and 6 kilometers from Vikarabad. It is a forest area in Rangareddy District and the starting point of the Musi River.

The Ananthagiri Hills area is where Osmansagar and Himayathsagar originate and is some 100 km from Hyderabad and hardly 10 km from Vikarabad. Hundreds of families from the twin cities throng the hills on Sundays and holidays.

The lush greenery in the hills is captivating and attracts many visitors, who want to escape from city life. Ananthagiri is also home to a Vishnu temple called the Anantha Padmanabha Swamy Temple. During the weekends, devotees throng to the temple.

Ananthagiri offers many trekking and camping opportunities. There are two trekking trails in the forests, one that begins from the Anantha Padmanabha Swamy Temple and another that begins about 0.5 kilometres from the temple, towards Kerelli. Deccan Trails is the camping site in Ananthagiri Hills and offers a wonderful opportunity to spot the wildlife inhabiting the surrounding forests.

Ananthapadmanabha swamy Temple is one of the prime attractions in Ananthagiri hills. it had been build by nizam nawabs, 400 years ago and has big historic importance. Most of the people visit this temple 1st and then proceed to trekking.

Nagasamudram lake or kotipally reservoir is set at a distance of regarding 20km from ananthagiri hills. Lake is big, clear and it offers picturesque views in Monsoon, because it is completely filled with water.

Best time to visit Anantagiri Hills is rainy reason.

How to Reach Ananthagiri Hills

From Hyderabad, there are two ways for reaching ananthagiri hills through vikarabad. One route is Hyderabad – APPA Junction (outer ring road) – Chilkur – Moinabad -Chevella – Manneguda – Vikarabad (approx 60km from APPA junction).

And the other route is JNTU(KPHB) – BHEL – Patancheru – Rudraram – Sadasivpet(turn left) – Mominpet – Kothagadi – Vikarabad (approx 90km). After reaching Vikarabad, proceed towards Ananthagiri road.

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Kolanupaka Jain Temple

Kulpakji or Kolanupaka Jain Temple is a old Jain Temple of Mahavira located in kolanupaka village (also called as Kulpak), Alair Mandal, Yadadri Bhuvanagiri district in Telangana State, India.

The 2nd century temple of Bhagwan Manikyaswamy, the first and foremost tirthankara out of the 24 tirthankaras of the Shwethamber Jain community, is also known as Rishabhdev or Adinath.

The first Tirthankara in the Jain religion was Lord Rishabha, who is popularly known as Lord Adinath also. It is believed that original idol of Lord Adinath, locally known as Manikya Deva, made Kolanupaka its abode by itself.

Besides the presiding deity or mulnayaka, Bhagwan Manikyaswamy, the architecturally beautiful ancient temple houses the precious jade idol of Bhagwan Mahavira, the 24th and last tirthankara, Neminatha and other Tirthankara idols belonging to the Shwethambar sect of the Jains who maintain the temple.

Jains believe that 15 visits to Kulpak Tirtha on full moon days and performing seva, tapa and japa, will end all the troubles of their life!

Construction

The exact date of the temple’s construction is not known, but evidence of its existence dates back to the 2nd century AD.

The temple is built in a unique style, with a combination of Dravidian and Hoysala architectural styles

According to the mythological legend, the main temple of Kolanupaka is said to have been built by Emperor Bharata, son of King Dushyanta and Queen Sakuntala. Jainism was prevalent in Telangana before the 4th century and Kolanupaka was one of the prominent centers of Jainism from early times. About 20 Jain inscriptions have been found there. It is said that Kolanupaka flourished as Jain center during the Rashtrakutas period. 

The temple is housed on a 25 acre plot of land. Besides idols of other Gods, there is a museum. 

The temple was recently renovated by calling 150 artisians from Rajasthan and Gujarat. A complete new temple was built around the existing towers and the old garbhagraha was preserved.Kulpakji is the major pilgrimage center for the Svetambara Jains of South India.

The story of Kulpak
The finding of Jain antiquities and the study of historical evidence indicate Kulpak rose to prominence as a Jain kshetra during the heydays of Rashtrakutas when Sankaraganda ruled over Kollipakaya-rajya in 9th century AD. It continued to enjoy the patronage of Rashtrakutas and their successors.

Initially Kulpak was a military outpost and gradually grew into a prosperous, religious and key city spread over 90 sq kms with fortifications. It further flourished during the reign of the Chalukyas as a Jain pilgrim centre in the 11th and 12th century.

The pilgrim centre was attacked by Rajendra Chola and his son Rajadhiraja, angry over the exodus of Jains from Tamil Nadu to Andhra. The Jains reportedly got protection from the Chalukyas.

Over 20 Jain inscriptions were found in Kulpak which indicate the presence of a good number of Jain temples and bastis in the area. One inscription records the construction of Neminath and installation of Parasnath idol by Mahamandalesvra Kumara Mangideva, who belongs to Tintrini gaesha.

Another dated 1107 AD records the gift of land in the village of Chapulia by Kumara Someshwara to Paraswanatha-Jinalaya.

Nagri inscriptions dated AD 1711 indicate Jainism flourished again during the reign of Mughal Bahadur Shah 1.

In Jainism, the installation of "manastambha" in front of the temple is considered an auspicious act. Sri Kesiraja claims to have installed a manastambha and makara torana in the temple of Ambika, the sarandevi of Neminath Bhagwan, the 22nd tirthankara.

An epitaph of Meghachandra-Siddhantadeva came to light on the wall of the Jain Mandir. This epitaph engraved in the 12th century states that Meghachandra took sanyas-diksha to enter Samadhi.

It was a practice for pious Jains to observe Sallekhana or sanyasa diksha at the fag end of life with the object of attaining "Samadhi—marana, sanyasa—marana or pandit marana." This reflects Kollipaka was considered a sacred tirtha kshetra where Jains observed sallekhana, a vow for terminating their lives. Endowed with richly carved temples and busadis, Jainism at Kulpak reached its glory during the 11th and 12th century AD under the Chalukyas.

A pilgrim centre
Bhagwan Manikyaswamy temple in Kolanupaka is a world famous pilgrimage centre for Jains. 

Kulpakji is an important pilgrimage center for Swetambara Jains of South India. 

This is one temple where one should seek only "Moksha" – complete purity of soul – but not materialistic benefits from God! 

"If you want fulfillment of materialistic desires, one has to pray to Goddess Padmavati Devi here. She is very powerful," says Prakash Jain Munoth, a businessman and a regular at the temple.

Kulpak Jain Tirtha kshetra in Telangana state is not only the biggest Jain pilgrimage centre in South India, but also the country and world.

Idols

There are 8 idols in the complex—Mahaveera, Neeminath, Pashwanath, Shantinath, Abhinandanswamy, Rishbdev and one idol of the 24 Tirtakaras

This temple has three main idols of Gods, called as Tirthankars. These are of Lord Rishabha, Lord Neminath and Lord Mahavir. 

The temple is decorated with beautiful images of Tirthankaras and it's one of the important Jain pilgrimage sites in the country.

The statue of Lord Mahavir has been made out a single jade and is about 140 cm in height. 

According to Luniya, the world famous 4-ft-tall greenish Jade idol which is considered as Bhagwan Mahaveera now might have been that of Bhagwan Manikyaswamy. "When someone put the value of the jade idol at 1,000 million dollars there was a surge of pilgrims. We appealed to one and all not to put a price tag on God," Luniya said.

The statue of Lord Rishabha, who is also known as Lord Adinath, has been carved out of a green stone. Historically, it has been popular as Manikya Swami. 

There are eight idols of various other Tirthankaras, placed on both sides of the temple. Every Tirthankara has been built with their own unique style. 

One of the most striking features of the temple is the imposing statue of Lord Mahavira, which is carved out of a single piece of black granite. The statue stands tall and proud, symbolizing the strength and resilience of Jainism and the principles of non-violence and compassion that it advocates.

The statue of Lord Mahavira has been carved with an image of Lion, while there is a bull on the pedestals of Lord Rishabha. 

A cobra with multi heads has been carved as an umbrella over the statue of Lord Parshawnath.

Story of Idol
There are several stories on the formation of Bhagwan Manikyaswamy idol and temple.

According to one story, the first and foremost tirthankara out of the 24 tirthankaras is Rishabhdev or Adinath Bhagwan. His eldest son, King of kings Bharat used to wear a finger ring made of "Feroza," a precious greenish stone. He got the image of Manikyaswamy engraved on the precious stone. He established Tirtha called "Astapad" as desired by people.

Another mythological story is that Ravana’s wife Mandhodari, believed to be a Jain, worshipped the wonderful Swayambhu idol. It is said that she was worried about the safety of the idol when Ravana kidnapped Sita and feared the destruction of Lanka. As per her suggestion, the idol of Manikyaswamy was immersed in the ocean.

When a plague hit the region during the reign of King Shankera of Karnataka who was a follower of Jainism, the king prayed to Padmavati Devi who instructed the king to sprinkle holy water or snatrajal of the idol of Manikyaswamy on the victims to check the spread of the disease.

On the instructions of Padmavati Devi, King Shanker retrieved the idol from the ocean and brought it on a bullock cart driven by calves. As desired by Padmavati, King Shankar Dev constructed the holy temple and installed the image of Manikyaswamy.

Architecture
The architecture of the temple is stunning with wonderful carvings on the temple walls. The Jain temple of Kolanupaka was made using red sand stone and the pillars of temple are made out of white marble. The temple was in a ruined condition for years and was renovated in late 20th century. The temple was renovated by employing more than 150 artisans from Rajasthan and Gujarat. The old garbhagruha was preserved and a complete new temple was created surrounding the existing tower. The temple is spread over in an area of 1 acre, out of a 20 acre land used for dharamshalas and guest houses. Regular visitors are not allowed to enter into the inner section of the temple which is restricted for people with pooja clothes only.

Festivals

The Kolanupaka Jain Temple is also famous for its annual festival, the Mahamastakabhisheka, which is held every 12 years. During this festival, the statue of Lord Mahavira is bathed in milk, curd, honey, and other offerings, and is covered in a saffron cloth. 

The Mahamastakabhisheka festival is a grand celebration of Jainism and is held to offer prayers and seek blessings from Lord Mahavira and attracts thousands of devotees from all over India.

"Pilgrims come here round the year but more during Purnima, Chaitramas and other festivities. There is a surge of pilgrims from all over the world from September to December. 

The Jain pilgrim centre has good facilities for devotees including 200 rooms for stay and meditation. Food is provided free of cost.

Timings

The temple is open from 5.30 am to 1 pm and 4 pm to 7.30 pm daily" he explains.

For darshan, one needn’t necessarily take a bath, but if one wants to dopooja, it is mandatory that one should take a bath before going inside the chamber of Tirthankaras and touch the statue of the deity. Also, in order to dopooja, one has to wear the acceptable clothing, dhotis or panchas for men and sarees for women. The clothes need to be clean, washed and unused for any purpose other than performing poojas.

There is also a temple called Someshwara Temple which was established by Chalukya's about 800 years back in Kolanupaka.

To visit Kolanupaka, one has to take diversion at Aleru town (the nearest Rail head) between Hyderabad & Warangal (75 km from Hyderabad & Warangal) and travel for 6 km. The Jain temple is 0.5 km from Kolanupaka Bus Station.

Contact Number : +91 92470 15696Timings : 6 AM to 7 PM



https://www.deccanchronicle.com/nation/current-affairs/190818/for-moksha-go-here-not-for-materialistic-benefits.html
http://wanderer-arpit.blogspot.com/2015/10/antiquity-of-jainism-in-andhra-pradesh.html
http://www.trawell.in/telangana/warangal/jain-temple-kolanupaka

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Govindarajula Gutta

Govindarajula Gutta is a holy place for the practitioners of the

Hindu faith. A popular tourist attraction, there is a temple dedicated to Lord Ram at the top of the hill (‘Gutta’ in Telugu) while a temple in the name of the Lord’s most prominent devotee, Lord Hanuman is located under it. Steps that amount to a hundred in number are to be climbed in order to reach the top of the hill, and it is advisable to take extreme care as the steps are sculpted out of rock and quite risky to maneuver. During the Sree Rama Navami festival, Govindarajula Gutta sees its most popular period and throngs of devotees can be seen in the vicinity. 

A huge Ratham (or Chariot) made of precious materials rests on top of the hill, and this is believed to have been built by the Hazaris of Warangal.

http://www.yatrastotemples.com/sri-rama-temple-in-govindarajula-gutta-in-warangal/

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Vykuntapuram Temple (Sangareddy)

Located in Sangareddy. Pilgrims from different regions do come here for darshan of Sri Srimannarayana swamy ( Lord Venkateshwara). The Ambiance in the temple makes you to feel like you are in thirupathi temple. The Idol of Lord Venkateshwara swamy is similar to the one in thirumala with 3 muka dhwaras. Especially during Saturdays, Public holidays , and on festivals days will be fully packed with the public who come for darshan. One must visit the temple for its beautiful and peacefull ambiance when you come across this sangareddy city.

JAI SRIMANARAYANA CHARITABLE TRUST
Sri Vaikuntapuram
Sangareddy shivaru, Medak
Telangana-502001
Phone: 08455-275555, 201080
Cell: +91 8125615558






http://svpd-srd.org/gallery/
https://en.wikipedia.org/wiki/Sangareddi

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Nizamabad Museum

The District Archaeological museum in Nizamabad was established in Nizamabad’s Tilak Garden, which was originally constructed in 1936 by VIIth Nizam, Mir Osman Ali Khan. The District Archaeological Museum was officially opened to the public in October, 2001. It exhibits a wide variety of artefacts and antiquities that represents the evolution of human civilization right from Paleolithic era to Vijayanagara times (16th Century A.D.).

The District Archaeological museum in Nizamabad is broadly classified into three sections namely 

• Archaeological section
• Sculptural gallery, and 
• Bronze and decorative gallery

Archaeological section 

The Archaeological section mainly includes tools of Paleolithic, Neolithic as well as late stone age times, (Microlithic) from 50000 to 5000 B.C. and also the megalithic pottery and iron implements from 1000 B.C. to the 3rd century B.C. The museum displays early historic and cultural material of the Satavahana times such as pottery, Iron implements, bangle pieces, beads, terracotta and bricks dating back from 2nd Century BC to 2nd Century AD. The Coins housed in the Museum are of punch marked varieties (3rd - 4th Century BC to the British period). A hoard of Vijayanagara era’s Gold coins unearthed at Bodhan is displayed here. 

The collection includes coins of Satavahana dynasty, Vishnukundins, Kakatiyas, Ikshvakus, Qutub Shahi dynasty, Vijayanagara, British period etc., along with a Quran Sharif of medieval period. A chart which shows the evolution of Telugu script from the 3rd century B.C. until 16th century A.D can also be seen here.

Sculptural gallery 

This gallery includes sculptures from different Dynasties such as Chalukya dynasty, Kakatiya dynasty, Rashtrakutas, and also the Vijayanagar kingdom (16th & 17th Century AD). The important sculptures here includes Jaina, Ganesha, Parsvanath, Veerabhadra, Chamundi, Secular, Hero Stones, Sculptures, a Sculptural Panel depicting Ganga, Yamuna, Saraswathi and Chennakesava,. A finely carved Door Jamb that was made of Red sand stone, from Vijayanagar dynasty is erected here in front of the Museum.

Bronze and Decorative gallery 

The Bronze and Decorative section at the museum includes Bronze articles from different periods ranging from Chalukyas to Vijayanagara times. Decorative Arts constitute Bidiriware, porcelain and enamel ware. The important objects on display here are Arms and Armour, including swords of different types with gold inlay work, chest plates, shields, curved swords, arrows, daggers etc. from Qutb Shahi and Asif Jahi periods. The paintings on display are miniature paintings of medieval period and contemporary period. 

Bidriware Collection 

Bidriware derives its name from the old town of Bidar. The bidri articles that are displayed here in the Museum are Huqqahas, Pandan, Spittons, Flower vases, Betel Nut Boxes etc. and other items. Most of these artefacts were brought from Hyderabad by the Department of Archaeology & Museum. 

Arms & Weapons Section 

Several armour varieties of ancient world are displayed here such as the Roman, Persian, Russian and Indian Armies of medieval period. These include Persian Indian swords, lances, spears, daggers, chest plates, suns and arrows with damascening ( with an inlay of gold work) workmanship, offensive weapons such as the lances, spears, the axes and heavy swords accompanying double edged flat blades. The weapons were reportedly used by the Nawabs of Golconda during the medieval period. Coins, Manuscripts such as the Holy Quran, Pre-history objects, Stone Sculptures of Early history, Modern Paintings and Miniature painting are also part of the impressive display in the Museum at Nizamabad. 

How to Reach

The District Heritage, Archaeological Museum in Nizamabad is located in Tilak Garden, very near to the Bus stand and Railway Station. Nizamabad can be reached by road from Hyderabad, nearly 175 km away. 

Location

Tilak Garden, Nizamabad

Visitor Facilities

Clean drinking water and rest rooms are available. Seating arrangements have been provided in the garden. A Companion Guide to the Museum is also available.

Timings : 10.30 AM to 5 PM. Closed on Fridays and Public Holidays.

http://www.telanganamuseums.com/dist-museum-nizamabad.html

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