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Karmanghat Hanuman Temple

The Karmanghat Hanuman Temple is a very popular temple located at Karmanghat, Saroornagar, Rangareddy district, Telangana India on the way to Sagar road. 

This temple, dedicated to the Pawan Putra Hanuman, the greatest devotee of Lord Shri Ram is one of the oldest temples in the state capital, Hyderabad. 

This famous temple in Karmanghat was constructed in the 12th century A.D. according to the legend, when a Kakatiya ruler who was hunting after some time in the forest, felt tired and sat down to take rest under a tree. While resting, the king heard someone chanting the name of Lord Rama, the king got interested and went around trying to find who it was and as he walked further deep into the forest, he discovered an idol of Lord Hanuman. The stone idol was in a sitting posture and the voice was coming from within the vigraham. Having paid his respects, the humble king returned to his capital, and that very night, Lord Hanuman appeared in his dream and asked the king to construct a temple.

The Karmanghat Temple was constructed immediately and the succeeding kings of the Kakatiya dynasty ruled it well. Some 400 years later, Aurangzeb had ordered his armies to each and every corner of the country to destroy all Hindus temples. At this temple, Aurangazeb's mighty armies could not even enter near the compound wall. After learning this, Aurangzeb, himself went there to wipe out the temple with a with a crow bar in his hand. When he reached the temple premises, he heard a deafening roar rumbling and the instrument slipped from his hands as fear overwhelmed him. Then he heard a thundering voice from the heavens saying Mandir todna hai raja, to kar maan ghat" which means, oh king, if you want to destroy this temple, then make your heart strong. The place got its name kar-man-ghat, after the voice from the heavens. And to this day, the main deity Lord Anjaneya sits in the temple peacefully meditating and bestows his blessing to his devotees, as Dhyana Anjaneya Swamy.

It is located at a distance of nearly 12 kms from Mahatma Gandhi bus terminal of Hyderabad and well accessible by road.

All Days of the Week
Monday-Sunday 6:00 AM - 12:00 PM, 04:30 PM - 08:30 PM
Tuesday 05:30 AM - 01:00PM, 04:30 PM - 09:00PM

Source
http://www.telanganatourism.gov.in/partials/destinations/divine-destinations/rangareddy/karmanghat-hanuman-temple.html#parentHorizontalTab2




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Sanghi Temple

This enchanting temple is located in Sanghi Nagar, approximately 25 kilometers from Hyderabad. It takes its position on a hillock known as the Paramananda Giri. The Raja Gopuram is 15 feet tall, and can be seen from several kilometers away.
The Sanghi temple is one of the most famous temples in Hyderabad. It is a very beautiful temple done in marble and the management has given a lot of importance to the environment. You can see this first hand as there are many trees and vegetation in and around the temple. Many Telugu films have been shot in this temple.

The stretch of the road to reach the temple is quiet good with a neatly laid two lane black tar road along the way with trees paving the path. The road to Sanghi gives an impression of a ghat road. And when you go further, a Hanuman Temple welcomes you. After the darshan, you can look on to a beautiful view of the city from the hilltop. The main deity here is Venkateshwara Swamy. The temple also houses Padmavati Devi. There are Navagrahas in the temple premises.

This enchanting Temple is located in Sanghi Nagar, some 25 kilometers from Hyderabad. It takes its position on a hillock known as the Paramananda Giri. The Raja Gopuram is 15 feet tall, and can be seen from several kilometers away. A little further in the premises, a long flight of carpet covered steps leads to the entrance of the temple. The first thing that catches your eye is the heavy, beautifully carved door that forms the main entrance. The majestic temple is built in the flawless Chola-Chalukya style of architecture. You can find three Gopurams at the foot of the hillock, which stand tall as if entering into the heavens.

The temple is located 35 km from Hyderabad, near Hyderabad-Vijayawada highway and well accessible by road.

All Days of the Week
08:30 AM - 10:30 AM
04:00 PM - 06:00 PM

Source
http://www.telanganatourism.gov.in/partials/destinations/divine-destinations/rangareddy/sanghi-temple.html


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Chilkur Balaji Temple

Chilkur Balaji Temple, is an ancient Hindu temple of Lord Balaji on the banks of Osman Sagar in Rangareddy District in Telangana, Twenty Five kilometers from Hyderabad off the Vikarabad road is the picturesque village of Chikur with its hoary temple dedicated to Sri Balaji Venkateshwara is definitely an epicenter of a great deal of spiritual energy and an abode of Lord Venkateshwara, also called as Visa God. Even the popular Wall Street Journal, amused with the belief, has written a full article on this temple. People from all sects visit this temple in hope of getting their wishes fulfilled. The management believes that the only fee the lord asks the devotees to make pradakshanas around the temple. It is a matter of sheer pride that our nation holds such rich heritage where beliefs and faiths in good are passed on from one generation to the other with or without any scriptures.

This temple has no hundi and neither accepts any money from devotees. VAK Books also known as the Voice of Temples with religious news is available here. This is one of the special Temples in India with no green channel or privileges for VIP’s. The only other such temple is the Jalaram temple in Virpur (Rajkot), Gujarat. This temple fought and won the right to stay out of government control. The only another such temple is “Ramanuj Kot”, a temple in Jodhpur, Rajasthan.

From the style, structure and appearance, it can be inferred that the temple was built half a millennium ago. Set in sylvan surroundings, the temple attracts thousands of pilgrims every year and is an ideal place for sequestered retreat and meditation. It enjoyed in the past, great days of pomp and glory.

The temple is one of the oldest in Telengana, having been built during the time of Akkanna and Madanna, the uncles of Bhakta Ramdas. According to tradition, a devotee who used to visit Tirupati every year could not do so on one occasion owing to serious ill-health. Lord Venkateshwara appeared in his dream and said, "I am right here in the jungle nearby. You don't have to worry." The devotee at once moved to the place indicated by the Lord in the dream and saw a mole- hill there, which he dug up. Accidentally, the axe struck Lord Balaji's idol covered by the mole-hill below the chin and on the chest, and surprisingly blood started flowing profusely from the "wounds", flooding the ground and turning it scarlet. The devotee could not believe his eyes when he saw this. Suddenly he could not believe his ears also when he heard a voice from the air which said,"Flood the mole-hill with cow's milk. "When the devotee did so, a Swayambhu idol of Lord Balaji accompanied by Sridevi and Bhoodevi(a rare combination) was found, and this idol was installed with the due rites and a temple built for it.

Sri Balaji venkateshwara, the Pratyaksha Daiva in kaliyuga, is thus available at Chilkur to shower blessings on His devotees who for any reason are unable to go to Tirupati. Many devout worshippers flock to the temple, to receive the blessings of the Lord and his consorts throughout the year particularly during the Poolangi, Annakota and Brahmothsavams

With the earnest desire to revive the former glory and importance of the temple, the idol of Ammavaru was installed in 1963 the year following the Chinese aggression, and when the aggression was unilaterally vacated, Ammavaru was given the name of Rajya Lakshmi, signifying this welcome event. The unique feature of this idol is that lotus flowers are held in three hands and the fourth hand is in such a position towards the lotus feet which signifies the doctrine of Saranagathi. 

The temple has been visited by great Acharyas from time to time. A visit to the temple is a must for the Jeer of Sri Ahobila Mutt every time he visits the twin cities, and in the temple is installed the idol of the first Jeer. The Tilakayaths of Sri Vallabhacharya Sampradaya have been regularly visiting the shrine. Jagadguru Sri Sankaracharya of Sringeri Mutt and his disciple graced the efforts of the trustees in improving the temple.

A 1000-year-old temple built of stone in Rashtrakuta style architecture has been found in a state of neglect near the famous Chilkur Balaji temple in Moinabad mandal of Rangareddy district. Archaeologist and CEO of Pleach India Foundation E Sivanagi Reddy during his explorations conducted in and around Chilkur village, as part of the awareness programme ‘ Preserve Heritage for Posterity ‘ launched by Pleach India Foundation, noticed many sculptures scattered at the entrance of the village and a dilapidated structure inside the tank bund datable to the period between 9th and 10th centuries CE.

According to Sivanagi Reddy, at the entrance of the Chilkur village, there was a two pillared mandapam built along the tank bund which was in deteriorating condition. There were beautiful sculptures of a seated lady devotee with folded hands and Bhairava in standing posture representing the Kalyani Chalukyan style of art (11th century CE), Nagadevathas, and two stones near the Pochamma temple, and an attractive sculpture of Surya broken into two pieces lying at the rear side of the Siva temple located inside the village, he said.

He said the small single storey Siva temple raised on an Adhisthana ( basement) had sunken into the ground, and was in alarming situation with crevices on the walls. The Sikhara ( Vimana ) portion on the roof had collapsed and the frontage covered with an altogether modern structure that had not only camouflaged the temple but also spoiled its antiquarian look resulting in putting the monument of archaeological significance in oblivion, he informed.

Chilkur Balaji Temple is 33 Kms away from Mehedipatnam. Approximately 75,000 to 1,00,000 devotees visit in a week. Generally temple gets heavy rush on Fridays and Sundays.
Monday-Sunday : 05:00am - 8:00pm

Source
http://www.telanganatourism.gov.in/partials/destinations/divine-destinations/rangareddy/chilkur-balaji-temple.html




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Mrugavani National Park

The Mrugavani National Park, located at Chilkuru in Moinabad, Rangareddy district is at a distance of about 25 kms from Hyderabad. The National Park is spread over 3.5 sq kms of pure, untamed land. The Indian government announced it a wildlife sanctuary in the year 1994 and since then, the park has been home to some 600 species of plants and animals.

The present day world has created its orbit around technology and modernism. The modern way of living has extensive demands and more and more of our Earth’s space and resources is what is at stake for. One can observe that national parks have eventually become the last sights of refuge for most indigenous species of animals as well as plants around the globe. Even governments of several countries have now become conscious of the importance of preserving these last species in wildlife sanctuaries.

The Mrugavani National Park in the state capital is an example of a beautiful national park turned major tourist attraction. What is most exciting is that in a land layered with exotic and immense natural resources like in India, it sure is a great achievement. The Mrugavani National Park, located at Chilkuru in Moinabad, is at a distance of about 25 kms from Hyderabad. The National Park is spread over 3.5 sq kms of pure, untamed land. The Indian government announced it a wildlife sanctuary in the year 1994 and since then, the park has been home to some 600 species of plants and animals. Like in the case of most national parks, even the Mrugavani national park has had least human intervention and interaction in order to make sure that all the precious creatures remain undisturbed in their cozy natural habitat.

We can see that the park has a topography made up of several rocky exposures that are characteristic of Deccan formation. The fauna of the wildlife sanctuary is as varied as they come. Foxes, black-naped hares, Wild boars, as well as Indian vipers are the most striking species for the curious traveler.

Mrugavani National park is accessible by road and located at a distance of nearly 20 km from Hyderabad enroute Chilkur, close to Nehru Outer Ring Road.

All days of the week : 9:00 AM to 5:00 PM


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Osman Sagar Lake

Osmansagar, also called Gandipet, is an excellent picnic spot located on outskirts of Hyderabad.

Osmansagar is among the two lakes located on the city’s periphery region supplying drinking water to the city. 

Osmansagar is a beautiful lake located 20 km. west of Hyderabad. The lake is a man made reservoir created by constructing a dam across the Isa, a tributary of Musi River.

The lake has an abutting bund with lush gardens, which provide an ideal ambience for an outing. The lake also houses a heritage building, Sagar Mahal, which was built as a resort by the Hyderabad Nizam and has been transformed into a lake resort by the department of Tourism.

Irrespective of whether it is summer or winter, the place is always crowded with streaming visitors. Mir Osman Ali Khan created this water body as part of the damming project of the river Musi in the year 1920. The idea was to supply drinking water for Hyderabad city. The lake spreads over an area of 46 sq.km and is the chief drinking water source for the twin cities.

Gandipet is a much sought after picnic spot for the people of Hyderabad and has been developed as a public recreation spot with landscaped gardens and swimming pool. Gandipet Lake beckons holidaymakers all over the year from all corners of twin cities. Tourists visiting Gandipet feel pleasant to see a vast stretch of placid water shimmering golden under the morning sun. The cool breeze and soothing ambience adds to the serene environment. Sprawling gardens with colorful flora, the vegetation and trees towards the dam’s lower sides makes the place truly picturesque. The lake also offers boating facilities to the visitors looking forward to a pleasant ride. People come along with family and friends for spending an entire day for having fun. There are snacks and drinks available at the local cafeteria. After a good monsoon, the reservoir is replenished and fills to the brim, which is again a breathtaking sight

Monday - Friday : 7.00 AM - 7.00 PM
Saturday : 7.00 AM - 7.00 PM
Sunday : 7.00 AM - 7.00 PM
Public Holidays : 7.00 AM - 7.00 PM

Source
http://www.telanganatourism.gov.in/partials/destinations/nature-discovery/rangareddy/osman-sagar-lake.html#parentHorizontalTab2


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Ramoji Film City

The Ramoji Film City located in Anaspur Village, Hayathnagar Mandal, Rangareddy, India. At 1633 acres, it is the largest integrated film city in the world.

It is also a popular tourism and recreation centre, containing natural and artificial attractions including an amusement park. 
The Outer Ring Road Phase 2 has acquired lands at the entrance and is set to intersect the city.

Ramoji Film City is spread at over 2,000 acres of lands and it includes amusement parks, recreation centers, film sets and contains both natural and artificial attractions. 

Ramoji Film City is located just 25 km drive towards South-East of the Hyderabad city, near the under construction outer ring road, it has the entrance of this privately held company. 

The Ramoji Film city has been declared as the world’s largest film studio by Guinness World Records.

Ramoji Rao the film producer is the head of Ramoji Group who is the founder of Ramoji Film City. 

In 1996 RFC opened for people with the collaboration of Indian Cinema through Usha Kiran Movies. Ramoji Film City is one stop solution for film makers which provides then with comprehensive infrastructures and more than 500 different sets locations. With infrastructures including custom-designed locations, mock-ups, set constructions, costumes, shooting stages, locations, cameras, equipments, sound mixing, audio post productions and film processing. Every year over a million of tourists all across the globe and especially from India. The film city also includes 3 star hotel Tara and a 5 star hotel Sitara for film production units and also open for the tourists.


Escape to Ramoji Film City, a magical realm filled with excitement and wonderful surprises at every turn. As the world’s largest integrated film city and India's only thematic holiday destination with magic of cinema, there’s something special for you here. Spread across a sprawling 2000 acres Ramoji Film City, set up by Ramoji Group in 1996, is a dreamy celluloid journey. Certified by the Guinness World Records as the world’s largest Filmstudio complex, at Ramoji Film City, a filmmaker can walk with a script and walk out with film. For the others, Ramoji Film City flung open a wonderland where 1.5 million tourists build memories every year.

Park Timings. 9:00 AM to 5.30

 


Soruce
http://www.ramojifilmcity.com
https://en.wikipedia.org/wiki/Ramoji_Film_City


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Sardar Papanna

Name : Sardar Sarvayi Papanna Goud or Sardar Sarvai Papanna or Sardar Sarvay Papanna or Papadu 
Born: August 18, 1650 in Khilashapur of the present Station Ghanpur, Jangoan District, Telangana
Died: April 2, 1710
Parents : Mother is Sarvamma and father is Dharmanna Goud. Dharmana Goud, the elder of the village, was killed by the local nobles for standing on the side of Dharma. 

Papanna, who is locally known as “Papadu” a freedom fighter, was a “bandit” for the Mughal and Qutub Shahi rulers who rose from humble beginnings to become a folklore hero.His deeds have been described by historians Barbara and Thomas Metcalf as "Robin Hood-like", while another historian, Richard Eaton, considers him to be a good example of a social bandit. 

Papadu lived during the period when the Mughal Empire had expanded its interests in South India and when tensions between the Muslim ruler Aurangzeb and his Hindu populace were rising. 

Papanna has a fighting spirit from childhood. When he was in Kallu Mandava, the Mughal soldiers used to mock and taunt him. When a soldier was about to kick his friend with his foot, he couldn’t control his rage and cut the soldier’s neck with a sharp knife. His guerilla war that started there continued till he became the emperor of Golconda fort.

Papanna started a guerilla army with his friends Chakali Sarvanna, Mangali Masanna, Kummari Govindu, Jakkula Perumallu, Dudekula Piru, Kotwal Mir Saheb and 12 others. He used to run trains in the heart of Gadila Dora. Papanna’s name and fame spread and youth joined Papanna’s army in large numbers. The guerrilla army that started with 12 men grew to 12,000. 

First, in 1675, he built a fort in his own village Shapur (now Khilashapur) and laid the foundation for the expansion of his kingdom, then he occupied the fort of Sarvaipet and gradually he captured about 20 forts including Tatikonda, Kolanupaka, Cheryala, Husnabad, Huzurabad, Bonagiri, Warangal and Kota till 1678–80. Finally, he conquered Golconda and ruled for 7 months. If you look at some of the important events of his fighting life, you can understand his military, diplomatic ethics and punctuality.

By Jan 1707, Hyderabad had become an epicenter for Mughal politics. Both kambaksh and Bahadur shah I contested for the Mughal throne. kambaksh was defeated and was killed.

On 31 March 1708 after the death of Aurangzeb (March 3, 1707), he initiated an attack on the heavily fortified former capital city of Warangal with a force of between 2500 and 3500 men. This action was planned to coincide with the eve of the Muslim celebrations of Ashura, when the city walls would be poorly manned and proved his martial ethics.

In 1708, he also besieged and besieged the mighty Bonagiri fort, married the sister of the fort Foujidar and captured the Bonagiri fort. After the capture of Warangal fort, enormous wealth fell into the hands of Papana. 

He defeated Fauzdar of kolanupaka near Bhongir and killed some of the Mughal commanders.

The emperor Bahadur Shah I, recognized Sarvai Papanna as a king and honored him by gifting ‘Robe of Honor’. In return, Papanna offered to the emperor vast wealth. After that, within 6 months, Papanna declared himself as the emperor and stopped Kappam Kattu to Delhi. 

In 1709, seeing Bahadur Shah I rule weakened by the power struggle between Delhi Mughals he invaded and conquered Golconda fort. He ruled  for 7 months whole of Telangana from there until his death in last battle. 

During that 7 month rule he implemented many reforms in his kingdom from Warangal to Golconda. He gave important posts to the Bahujans and encouraged the Bahujan landlords here and there on par with the zamindars. Unable to digest the presence of a low caste as the king, the hereditary landlords and all the foujdars from other regions followed the path of Delhi and put pressure on the Mughal emperor and insisted on eliminating Papanna at any cost. The Muslim emperor Bahadur Shah’s army, the Hindu landlords, nobles, and Nayaka Sena all together besieged Golconda. 

The beginning of the fall of Papanna can be dated to June 1709. Prisoners at Shahpur including his brother-in-law, the faujdar managed to overturn their captors and take possession of the fort while Papanna was besieging another fort elsewhere. Simultaneously, Dilawar Khan was advancing on him and, unaware of the situation at Shahpur, Papanna thought it prudent to defend his position by lifting his siege and retreating to his base. When he reached Shahpur he found that the tables were turned on him: he was fired upon by his former captives, using his own cannon, and with the imminent arrival of Khan he was forced to take refuge in the very compound that he had constructed to imprison them. Finding his position there to be untenable, and facing the desertion of some of his own forces, he decamped to the fort at Thatikonda or Tatikonda or Tarikonda, leaving Khan to take control of the wealth within Shahpur in accordance with instructions of his superior, the governor of Hyderabad.

Bahadur Shah I sent Yusuf Khan, the Hyderabad governor, sent a force of several thousand to besiege Thatikonda and this became a prolonged affair, lasting until March 1710. At that point, Yusuf Khan determined to take personal charge, doubling the number of imperial forces to around 12,000 and being further aided by the provision of at least 30,000 soldiers – cavalry and infantry – supplied by local landowners. This concentration of support from Hindu chieftains, together with the fact that they were the first to oppose him when he was originally based at Thatikonda and evidence that he attacked both Muslims and Hindus, demonstrate that Papadu's motivations and the popular support for them were not based on religious considerations. Claims that he was a "Hindu warrior" are further negated by analysis of the names of his followers noted in the ballads, which appear to demonstrate that those within his group included Muslims and non-Hindu tribal peoples in almost equal proportion to Hindus.

Despite the considerable forces set against him at Thatikonda, it was bribery that caused significant losses for Papadu: his men, by now weary, hungry and demoralised, were tempted to defect by offers of double pay made in May. The final straw was when Papadu ran out of gunpowder and was forced to flee in disguise. Although wounded, he was able to reach the village of Husnabad before being betrayed by a toddy tapper and captured by the brother-in-law who had previously been his prisoner. He was executed a few days later. 

While controlling the fort at Shahpur between 1702 and 1709, Papanna and his soldiers were under siege four times.  The war, which began in late 1709, lasted until April 1710. Sardar Papanna fought the enemy army till the end. But he was captured by his brother-in-law’s conspiracy. Finally, in April 1710, Papana was beheaded and sent to Bahadur Shah in Delhi. A statue of his has been installed at the Bhongir fort in Telangana. 

The traditional accounts say that the method of execution was that of decapitation, and that thereafter his body was cut into pieces and his head sent to Delhi and some say he committed suicide to avoid capture and insult and humiliation.

After almost 30 years of social struggle, the Bahujan empire that was established has collapsed. Papanna during his reign of 30 years ruled Buvanagiri of Nalgonda, Thatikonda of Warangal, Kolanupaka, Cheriyala, Karimnagar, Huzurabad and Husnabad regions. However in his tenure of 30 years Papadu ruled boldly and brought in Socio-Economic Equality in the society!

Much of the information relating to Papadu is of the quasi-historical type. His exploits, and those of other folk heroes of his area and era, are documented primarily in ballads that have passed through the generations and are still sung locally. It is in the context of studying folklore and linguistics that much of the evidence, such as it is, has been collected. However, there is also the work of Khafi Khan, a contemporary chronicler who based his writings on official reports circulating in the Mughal empire.

At the base of the Bhongir fort is a statue of Sardar Sarvai Papanna, a chieftain who is believed to have defended the fort against the rulers of Golconda.

There are many living testimonies of Sarvai Papannagoud’s struggle even today. Khilashapur, Tatikonda fort, Vemulakonda forts built by him, Husnabad town, Ellamma temple, check dams built by him are still standing today. The Saka of Renuka Ellamma temple in Golconda fort is also from that time. There the first bonam is offered as a tribute to the Gowda social class Papanna. There are many folk tales and songs that have continued since then. In 1874, an English historian named JA Boyal recorded 7 Burra stories of Payala Raju, the sentence in the inscription of Dulmitta Veeragallu, “Bandipota Gowda Shapur Khila Puli Gowda, Yabadi Roddi, Shabbarayada, Fodaur Papanna Gowda” is a Living proof. Cambridge University conducted a study on Papanna and published a book (The New Cambridge History of India, The Social History of Deccan) with his portrait. There is a stone statue of Sarvai Papanna in the Victoria and Albert Museum. Historians Barbara and Robert Mate Klip describe Papanna as the “Robin Hood of the Deccan”, while Richard Eaton calls him a “social bandit”. This generation owes a debt to Pervaram Jagannath and former DJP Pervaram Ramu who have given the history of sin to the present generation.

Chief Minister K. Chandrasekhar Rao said that freedom-fighter Sardar Sarvai Papanna Goud stood as a symbol of self-respect and courage of Telangana. With his endeavour for political and social equality of all sections of people, he had carved a niche for himself in the history.



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Khilashapur Fort

Khilashapur or Quileshapur or Khila Shapur Fort is located in Khilashapur village, Raghunathpalle Mandal, Jangaon District, Telangana State, India about 5 km from Raghunathpalli Railway station

The fort built by Sardar Sarvai Pappanna (1650 and died in 1709 A.D) is estimated to be built in 1690, according to researcher and heritage enthusiast Aravind Arya Pakide. The fort was constructed on square in plan with massive bastions at four corners of the fortifications. Recently, deep pointing works were done by removing tree overgrowths to strengthen the walls.

Although Papadu built forts at Bhongir, Thatikonda, Kolanpak, Cheriyal, Karimnagar, Huzurabad and Husnabad, he made Khilashapur fort as his capital. The outer wall of the Khilashapur fort was constructed by stones and the inside structures were built by dung sunnam (lime mortar mix). The fort has five buruzus (fortified towers). The ramparts of the fort were built conveniently to place cannon fires. Currently, there are only two cannons existing and the other two are missing. The fort is also believed to have secret tunnels to escape. In all, the fort reflects the war capabilities of Papadu.

Restoration
Authorities of the State Archaeology department are planning to develop the Quilla (fort) at Quilla Shapur or Quileshapur village of Raghunathpally mandal in Jangoan district, thanks to the State government’s commitment to conserve monuments.

Oct 16, 2020 : Historic Quilashapur fort’s wall in Telangana collapses due to rains

Source 
https://www.thehansindia.com/telangana/telangana-historic-khilashapur-fort-wall-crumbles-651596
https://telanganatoday.news/quilla-shapur-preserving-the-remnants
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Munigadapa Siddipet

Archaeology officials have identified an ancient idol Shaivite Veeragallu at a farmer’s field at
Munigadapa village of Jagadevpur. It belongs to 12-13th century AD.

Assistant Director of Archaeology and Museums, Telangana, P Nagaraju clarified that some locals mistook it as idol of lord Shiva, but actually it is a Veeragallu idol. “Number of such idols have been found across Telangana in the past too,” said Nagaraju.

He further said that they were planning to make a visit to Munigadapa after informing the Director of Archaeology and Museums, NR Visalatchy to find out if there were any historical sites that were located at Munigadapa. The idol was found at the farm of farmer Vadde Narsimhulu on last Thursday. Locals, Krishna Murthy and Venkata Swamy identified it recently.


Source
https://telanganatoday.news/shaivite-veeragallu-idol-found
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Ippagudem, Jangoan

Much to the delight of archaeologists and historians, a rare idol of Tara – the female Bodhisattva in
Mahayana Buddhism who appears as a female Buddha in Vajrayana Buddhism – was found at Ippagudem in Station Ghanpur mandal recently.

Archaeology and history enthusiast R Rathnakar Reddy found the black granite idol abandoned near the bund of a tank. He first mistook it for Yakshini of Jain mythology. But later, noted archaeologist and historian Emani Shivanagi Reddy confirmed it as Tara.

“It was Shivanagi Reddy who identified the idol as Tara. There is an engraved image of Buddha on the hair bun. The deity’s upper body is naked with large breasts, which is the most common description of Tara in Buddhist literature,” Rathnakar said.

Rathnakar also found a broken idol of Buddha near the black granite structure, which helped them confirm that it was Tara. Both the idols – three-ft-tall Tara and four-ft-tall Buddha – take historians and archeologists closer to the Buddhist era. It is believed that idol of Tara, which was damaged, belonged to 8th or 9th century AD.

Considering the value of the idol, Rathankar Reddy urged the State Archaeology and Museums to shift it to a museum at the earliest. He said Telangana had some followers of Buddha during the 9th and 10th centuries.

Telangana Jagruthi State secretary Sri Ramoju Haragopal visited the site at Ippaguem on Friday and urged the government to preserve the idols. Though Tara is said to be a tantric meditation deity mainly worshiped by the followers of Vajrayana Buddhism, there are several other stories about her. And some of them indicate that she belonged to Hindusim and seen as a form of Shakti.


Source
https://telanganatoday.news/man-stumbles-upon-rare-idol-female-buddha



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Padurivarigudem, Nalgonda

Archaeologists have discovered an ancient menhir, a memorial from the Iron Age, in
Padurivarigudem in Nalgonda district of Telangana.

The structure stands 11 feet high and was built as a memorial for warriors or tribal leaders in the region. Similar relics have been found in Guntur too.

E. Siva Nagi Reddy and his associates uncovered the massive menhir that, according to them, dates back to 1000 BC.

“Based on the information that we received from T. Saidulu, president of the local Vivekananda Youth Association, we visited the spot on Thursday and confirmed that the menhir belongs to the Megalithic period. It stands 11 feet tall, is six feet in width and goes six feet deep into the soil. The massive stone slab was installed during the Iron Age as a memorial to tribal lords or warriors in the region. It reveals the collective efforts of the ancient iron-smelting community,” he said.

The team of archaeologists also examined around 20 circular burial stones, also from the Megalithic age, near the Chinna Cheruvu, a tank located in Chandupatla village.

According to the experts, these burial sites and the marking stones are prone to damage because of active agricultural operations in the area. Mr Nagi Reddy said he has asked the state government to actively protect the unique menhir, as it stands testimony to the history of Telangana from the Iron Age.

Similar menhirs have been found in the districts of Nalgonda and Guntur. Though the site where the megalithic artefacts were uncovered was not of particular significance in the Kakatiya Empire, it lies close to Chandupatla, where Kakatiya ruler Rani Rudrama Devi is believed to have died.

Source
http://www.deccanchronicle.com/nation/current-affairs/170317/telangana-archaeologists-discover-huge-relic-from-iron-age.html



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Narmeta, Siddipet

Excavation at Narmeta sets back region’s history to 3,500 years

Beads made of bones and used as ornaments and two conches found

The ongoing excavation at Narmeta and Palamakula villages in Nanganur mandal of Siddipet district may set back the history of the region to at least 3,500 years as the excavation site belongs to Megalithic period.

Burial site

The Department of Archaeology and Museums has taken up excavation at Menhir burial site at Narmeta, located between Siddipet and Husnabad. Two burial sites – a Menhir and a Cairn burial –were selected for excavation. The sites were named Meg-I and Meg-II.

The excavation at Meg-I was done adopting quadrangular method. This Menhir burial has double circles of boulders.

The diameter of Meg-I is 14 metres and it has 24 boulders forming the inner circle and six boulders on the outer circle. It has the Menhir planted on the northern side, which measures 2.9 metres in height and 95 cm in width. A capstone found at this site measures 6m long, 4m wide and 65cm deep.

Beads made of bones and used as ornaments were found at the burial site. Similarly, four fire stands and two conches were also found during the excavation. The officials believe this would help throw some light on the culture of that period.

Cultural phase

According to the officials of Archaeology Department, Megalithic excavations are marked by a tomb, built of huge stones either dressed or undressed.

These tombs built in south India represent a distinctive cultural phase which succeeded the primitive Neolithic culture.

Also know as Iron Age, the Megalithic period is dated between 1,000 BC and second century AD.

Interesting artifacts

“The Meg-II is located on the northern side of Meg-I and has diameter of 10m. There are no boulders at this site. At a depth of 1.3 metres, we found an oval shape pit with loose soil. We were able to collect redware pots, pointed-shape iron arrowheads and conches,” Assistant Director (Archaeology) P. Nagaraju toldThe Hindu .

“The excavation that took place at Pullur banda indicates that it belongs to 500 BC and people might have migrated from north west of India. Eleswaram in Nalgonda district dated back to 1,200 years and we believe that this site may belong to 1,500 BC. However, the actual date can be ascertained only after carbon-dating,” said Niraj Rai, a senior scientist from the Centre for Cellular and Molecular Biology (CCMB).

A capstone in the shape of a human body was excavated at Narmeta village,  This is the largest capstone ever discovered by the department in its 100-year history. It was excavated near an ancient human burial site and is said to be at least 2,750 years old.

Though there was initial euphoria that it was the world’s largest capstone, director of department NR Visalatchy said that it would be premature to say so.

“This capstone is 6.7 metres in length. Usually, they are half or one-third of its size. Only one stone was used for the entire body and another one to cover the head,” Visalatchy said.


Source
http://www.thehindu.com/todays-paper/tp-national/tp-telangana/excavation-at-narmeta-sets-back-regions-history-to-3500-years/article17858543.ece

http://www.newindianexpress.com/states/telangana/2017/mar/23/telangana-archaeology-dept-discovers-large-capstone-in-siddipet-village-1584685.html





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Nacharam Temple

The Nacharam Gutta houses a revered Lakshmi Narshima Swamy temple, in the Wargal Mandal, Siddipet district of Telangana, India. This place is about 50 kilometers from the state capital. The temple is believed to be 600 years old. The Lakshmi Narsimha Swamy temple is a cave temple, situated on a beautiful hillock.

Inside the sanctum (Gharba Gudi), we can see Swayambu Narashima Swamy along with his consort Lakshmi thayar beautifully carved inthe rock. The temple also has some more idols. According to the Hindu Mythology, Naradha forfeited here. The place got its name Nacharam gutta after a devotee by the name Nacharam. As we go round the temple, we can find a flight of stairs to the left side, these stairs lead us to the darshanam of Lord Shri Soorya Narayana.
The temple has a beautiful rajagopuram with images of Gods and Goddesses carved on it in multi-colours. A gold coated Dhwajastambha which made up of a metal is installed opposite Garbhagudi.

There are sub-shrines in the temple for Sun-god, Lord Dattatreya, Lord Shiva in the form of Linga, Lord Rama and a Navagraha mandapam.

Sri Lakshmi Narasimha Swamy Temple is located in Nacharam, 47 km from Hyderabad and accessible by road.

This temple Opening & Closing times is 5.00 AM and 8.00 PM. During this period major part of the Lord Lakshmi Narasmiha Swami rituals are performed. Archana, Aarti and Abhisekham are the daily pujas performed.

By Road: Buses are available from all places in Telangana to reach the temple in Nacharam Gutta which is 50 km away from Hyderabad. You could also drive or rent a cab to get to Nacharam Narasimha Swamy temple.

Source
https://www.templepurohit.com/hindu-temple/sri-lakshmi-narasimha-swamy-temple-medak/


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Wargal Saraswati Temple

Wargal Saraswati Temple, or Sri Vidya Saraswati Temple, is a Hindu temple located in Siddipet
district in Telangana, India. The deity of education in Hinduism is Goddess Saraswati. It is among the few temples of Saraswati in Telangana. It is maintained by the Kanchi Shanker Mutt. Construction of the temple complex was due to the efforts of Yayavaram Chandrashekhara Sharma, a scholar and adherent of Goddess Saraswati.

This temple is located on a hillock near Wargal village. On the same hillock are the temples of various other deities, such as:

Sri Lakshmi Ganapathi Temple
Sri Vidya Saraswati Temple
Lord Shanishchara Temple
Lord Shiva Temple
a few Vaishnava temples, now completely damaged and without mola vigrahas

Many families visit the temple for their children's akshara abyasam ("learning ceremony"). Meals are provided for free to all devotees at the temple premises, a practice referred to as nitya annadanam.

Vasant Panchami and Sharad Navratri festivals are celebrated at the temple every year.[1] The Navratri mula nakshatram("birth star of Goddess Saraswati") is the most auspicious day for worshiping Saraswati devi. During this day, special rituals are performed at the temple.

The temple has a Veda paathashaala (a school specializing in the tradition of Vedic recitation) on its premises where many students learn the Vedas.


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Wargal Rock Art

Glory of prehistoric period reflects in the rock paintings in the small temple town, throwing light on the rich wildlife and tradition of Stone Age.

Wargal One of those marvels left behind by the history for the posterity - rock arts - seem to continue to be the delight of archeological experts and young students. Historians from Telangana are busy deciphering the ancient paintings at the rock shelters here at Wargal in Siddipet district.

These rock paintings found in parts of the State show the love humans had for art and nature as long ago as 10,000 BCE. They provide ample evidence that a large number of wild animals were present in the State centuries ago. Shambhuni Gutta (Shambu’s Hill), beside the famous Saraswathi temple here has already emerged as a great spot for explorations relating to the prehistoric life.

The roofs of the caves in the hill have red pictures. The archeological department found some of these paintings. But a lot of them are yet to be explored further. Two archeological experts - Ramoju Haragopal and Srinvas – with their assistant Chanti tried to decode the message that had been hidden in the form of art.

They found a painting of a creature that looked like a crane and three persons at the southern side of the cave. Among the three, one is a female. The depiction resembles the paintings found at Asthalapur in Medak district. Most of the paintings found on the roof look like scripts. The circles and semi-circles of this script seemed to be difficult to interpret. Letters that sound ‘Ya’, ‘ka’,’tha’,’ga’ of Brahmi script along with letters of early Telugu are seen on these walls.

Different paintings depicting the culture and traditions of that time on a huge rock canvass of 12 feet height and 25 feet length can be found on the eastern side of the hill. More than 20 paintings of oxen, cows with udders, pigs, and a man hunting a tiger are seen on this portrait. Another man’s painting is unclear. All these paintings are of great skill and are in colour and without colour.

An anthropomorphic drawing resembling the depictions at Neeladri rock art found in Khammam district is also seen here. The drawings of animals like deer, stags, and tools denote that the scenery belonged to the medieval period. According to the observations of historians, the period of the paintings were spanning from medieval stone age to megalithic age. Central India is the richest zone of prehistoric rock art in India.

The highest concentration of rock art sites is situated in the Satpura, Vindhya and Kaimur Hills. These hills are formed of sandstones, which weather relatively faster to form rock shelters and caves. They are located in the dense forest and were ecologically ideal for occupation by primitives. They were used for habitation in the Stone Age and even in the later periods. Inside the caves on the walls and ceilings, artists painted their favourite animals or human forms, symbols, daily life hunting and fighting.




Source
http://www.thehansindia.com/posts/index/Telangana/2016-01-15/Wargal-wows-rock-art-lovers/200371



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